The Atlantic Monthly, Volume 07, No. 40, February, 1861: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 07, No. 40, February, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
Fair wave the sunset gardens,
The rosy signals fly;
Her homestead beckons from the cloud,
And love goes sailing by!
THE FIRST ATLANTIC TELEGRAPH.
"In the name of the Prophet:--Figs!"
"Eh, bien, Sare! wiz you Field and ze uzzers! Zey is ver' good men, sans
doute, an' zey know how make ze money; mais--gros matérialistes, I tell
you, Sare! Vat zen? I sall sink I know, I! Oui, Monsieur, I, César
Prévost, who has ze honneur to stand before you,--I am ze original
inventeur of ze Télégraphique Communication wiz Europe!"
It was about the period when, with the fast world of cities, De Sauty
was beginning to become type of an "ism"; already the attention of
excitement-hunters had travelled far from Trinity Bay, and Cyrus Field
had yielded his harvest. Nevertheless, to me, who had just come to
town from a quiet country seclusion into which news made its entry
teredo-fashion only, the performances of the Agamemnon and Niagara were
matters of fresh and vivid interest. So I purchased Mr. Briggs's book,
and went to Guy's, to cut the leaves over a steak and a bottle of
Edinburgh ale. It was while I was thus engaged that the little Frenchman
had accosted me, calling my attention to his wares with such perfect
courtesy, such airy grace, that I was forced to look at his baskets.
And looking, I was induced to lay down my book and examine them more
closely; for they were really pretty,--made of extremely white and
delicate wood, showing an exquisite taste in their design, and being
neatly and carefully finished. Then it was, that, having apparently
noticed the title of my book, M. César Prévost had used the language
above quoted, and with such _empressement_ of manner, that my attention
was diverted from his wares to himself. I looked at him with some
curiosity.
He was a little old Frenchman, lean as a haunch of dried venison, and
scarcely less dark in complexion,--though his color was nearer that of
rappee snuff, and had not the rich blood-lined purple of venison. His
face was wofully meagre, and seemed scored and overlaid with care-marks.
Nevertheless, there was an energetic, nervous, almost humorsome mobility
about his mouth; while his little beady black eyes, quick, warm,
scintillant, had ten times the life one would have expected to find
keeping company with his fifty years. In dress, he was very threadbare,
and, sooth to say, not over-clean; yet he was jaunty, and moved with the
air of a man much better clad. I was impressed with his appearance, and
especially with his voice, which was vibrant, firm, and excellently
intoned. It is my foible, perhaps, but I am always charmed with
_bonhommie_, I class originality among the cardinal virtues, and I am
as eager in the chase after eccentricity as a veteran fox-hunter is in
pursuit of Reynard. M. César promised a compensative proportion of all
three qualities, could I only "draw him out"; and besides, he was not
like Mr. Canning's "Knife-Grinder,"--for, evidently, he _had_ a story to
tell.
Public-domain text, read in full here on John Shaqi.
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