The Atlantic Monthly, Volume 07, No. 41, March, 1861: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 07, No. 41, March, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
were manufactured into moccason-leather by Indian adepts whom Button had
in his pay, and who worked for a very low rate of remuneration,--quite
disproportioned, indeed, to the fancy prices always paid by strangers
for the articles turned out by their hands.
The name "Billy Button" carries with it an association oddly
corroborated by a story narrated of himself by the man of whom I am
speaking. Of all the reminiscences connected with the illegitimate drama
that have dwelt with me from my early childhood until now, not one is
more vividly impressed upon my memory than that standard old comedy
on horseback performed by circus-riders long since gone to rest, and
entitled "Billy Button's Journey to Brentford." The hero of this
pleasant horse-play was a tailor,--men following that useful trade being
considered capable of affording more amusement in connection with horses
than any others, excepting, perhaps, jolly mariners on a spree. The plot
of the drama used to strike my young mind as being a "crib" from "John
Gilpin"; but I forgave that, in consideration of the skilful manner in
which the story was wrought out. With what withering contempt used
I, brought up among horses and their riders, to jeer at the wretched
attempts of the tailor to remain permanently upon any central point of
the horse's spinal ridge! How cheerful my feelings, when that man
of shreds and patches fell prostrate in the sawdust, where he lay
grovelling until the next revolution of his noble steed, when the animal
caught him up by the baggiest portion of the trousers and carried him
round the arena as a terrier might a rat! But, oh, what mingled joy and
admiration, when out from the worried mass of coats leaped the nimble
rider, now no longer a miserable tailor, but a roseate young man in
tights and spangles, featly posturing over all the available area of his
steed, and "witching the world with noble horsemanship"!
All these memories crowded upon me with a tremendous shock the very
first time I saw the name of William Button upon the dingy swinging
sign. Afterwards, when I became intimate with that curious person, I
discovered that he was a capital "whip,"--first-rate, indeed, as a
driver of the fast trotting horse, as well as a good judge of that
superior article. With respect to his experiences as a rider he was more
reserved; and it was not until after I had known him a long time that he
confided to me the particulars of a ride once taken by him, which bore,
in its principal features, a singular resemblance to the one performed
by his great name-sake of the sawdust-ring.
Public-domain text, read in full here on John Shaqi.
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