The Atlantic Monthly, Volume 07, No. 41, March, 1861: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 07, No. 41, March, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
Walsingham is almost the only English statesman
who comes out from the historian's pitiless analysis with any credit;
and, in respect to sagacity, Burleigh is degraded below Leicester: for
Leicester at least understood that the enmity of Philip of Spain to
England was unappeasable, and therefore justly considered his perfidious
negotiations for peace as a mere blind to cover designs of conquest.
But we have no space, in this hurried notice of Mr. Motley's work, to
linger on the fertile topics which his luminous narrative suggests. In a
future article we hope to do some justice to the facts, principles, and
judgments he has established. At present, after indicating his diligence
in exploring original authorities, and the importance of the conclusions
at which he arrives, we can only venture a few remarks on his historical
genius and method.
As regards his historical genius, it is sufficient to say that he
exhibits both sympathy and imagination. He has so completely assimilated
his materials that his narrative of events is that of an eye-witness
rather than that of a chronicler. Reproducing the passions, without
participating in the errors of the age about which he writes, he
intensely realizes everything he recounts. The siege of Antwerp and
the defeat of the Spanish Armada are the two prominent and obvious
illustrations of his power of pictorial description: in these he has
presented facts with a vividness and coherence worthy of the great
masters of poetry and romance; and his capacity of thus giving
unmistakable reality to events is not merely exercised in harmony
with the literal truth of things, but makes that truth more clearly
appreciated. Desirous as he is to impress the imagination, he never
sacrifices accuracy to effect.
The same picturesque truthfulness characterizes his descriptions of
individuals. In the present volumes he has analyzed and represented a
wide variety of human character, separated not only by personal, but
national traits. Philip II., Farnese, and Mendoza,--Olden-Barneveld,
Paul Buys, St. Aldegonde, Hohenlo, Martin Schenk, and Maurice of
Nassau,--Henry III., Henry of Navarre, and the Duke of Guise,--Queen
Elizabeth, Burleigh, Walsingham, Buckhurst, Leicester, Davison, Raleigh,
Sidney, Howard, Drake, Hawkins, Frobisher, and Norris,--all, as
delineated by him, have vital reality, all palpably live and move before
the eye of his mind.
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