The Atlantic Monthly, Volume 07, No. 44, June, 1861: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 07, No. 44, June, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
You may see the self-consciousness of some men strongly manifested
in their handwriting. The handwriting of some men is essentially
affected,--more especially their signature. It seems to be a very
searching test whether a man is a conceited person or an unaffected
person, to be required to furnish his autograph to be printed underneath
his published portrait. I have fancied I could form a theory of a man's
whole character from reading, in such a situation, merely the words,
"Very faithfully yours, Eusebius Snooks," You could see that Mr. Snooks
was acting, when he wrote that signature. He was thinking of the
impression it would produce on those who saw it. It was not the thing
which a man would produce who simply wished to write his name legibly in
as short a time and with as little needless trouble as possible. Let me
say with sorrow that I have known even venerable bishops who were not
superior to this irritating weakness. Some men aim at an aristocratic
hand; some deal in vulgar flourishes. These are the men who have reached
no farther than that stage at which they are proud of the dexterity with
which they handle their pen. Some strive after an affectedly simple and
student-like hand; some at a dashing and military style. But there may
be as much self-consciousness evinced by handwriting as by anything
else. Any clergyman who performs a good many marriages will be impressed
by the fact that very few among the humbler classes can sign their name
in an unaffected way. I am not thinking of the poor bride who shakily
traces her name, or of the simple bumpkin who slowly writes his, making
no secret of the difficulty with which he does it. These are natural
and pleasing. You would like to help and encourage them. But it is
irritating, when some forward fellow, after evincing his marked contempt
for the slow and cramped performances of his friends, jauntily takes up
the pen and dashes off his signature at a tremendous rate and with the
air of an exploit, evidently expecting the admiration of his rustic
friends, and laying a foundation for remarking to them on his way home
that the parson could not touch him at penmanship. I have observed with
a little malicious satisfaction that such persons, arising in their
pride from the place where they wrote, generally smear their signature
with their coat-sleeve, and reduce it to a state of comparative
illegibility. I like to see the smirking, impudent creature a little
taken down.
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