The Atlantic Monthly, Volume 08, No. 45, July, 1861: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 08, No. 45, July, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
"Well," she answered with some hesitation, "I'll _tell_ her. Take a
cheer."
She disappeared through a door into a back room, and I sat down. In
another minute the door noiselessly reopened, and Rachel Emmons came
softly into the room. I believe I should have known her anywhere. Though
from Eber Nicholson's narrative she could not have been much over
thirty, she appeared to be at least forty-five. Her hair was streaked
with gray, her face thin and of an unnatural waxy pallor, her lips of a
whitish-blue color and tightly pressed together, and her eyes, seemingly
sunken far back in their orbits, burned with a strange, ghastly--I had
almost said phosphorescent--light. I remember thinking they must shine
like touch-wood in the dark. I have come in contact with too many
persons, passed through too wide a range of experience, to lose my
self-possession easily; but I could not meet the cold, steady gaze of
those eyes without a strong internal trepidation. It would have been the
same, if I had known nothing about her.
She was probably surprised at seeing a stranger, but I could discern no
trace of it in her face. She advanced but a few steps into the room, and
then stopped, waiting for me to speak.
"You are Rachel Emmons?" I asked, since a commencement of some sort must
be made.
"Yes."
"I come from Eber Nicholson," said I, fixing my eyes on her face.
Not a muscle moved, not a nerve quivered, but I fancied that a faint
purple flush played for an instant under the white mask. If I were
correct, it was but momentary. She lifted her left hand slowly, pressed
it on her heart, and then let it fall. The motion was so calm that I
should not have noticed it, if I had not been watching her so steadily.
"Well?" she said, after a pause.
"Rachel Emmons," said I,--and more than one cause conspired to make my
voice earnest and authoritative,--"I know all. I come to you not to
meddle with the sorrow--let me say the sin--which has blighted your
life; not because Eber Nicholson sent me; not to defend him or to
accuse you; but from that solemn sense of duty which makes every man
responsible to God for what he does or leaves undone. An equal pity
for him and for you forces me to speak. He cannot plead his cause; you
cannot understand his misery. I will not ask by what wonderful power you
continue to torment his life; I will not even doubt that you pity while
you afflict him; but I ask you to reflect whether the selfishness of
your sorrow may not have hardened your heart, and blinded you to that
consolation which God offers to those who humbly seek it. You say that
you are married to Eber Nicholson, in His sight. Think, Rachel Emmons,
think of that moment when you will stand before His awful bar, and the
poor, broken, suffering soul, whom your forgiveness might still make
yours in the holy marriage of heaven, shrinks from you with fear and
pain, as in the remembered persecutions of earth!"
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