The writing here is curious: concise, square, not flowing,--very legible, however, exactly suited to its purpose. People who profess to read character in chirography would decipher but little from these cramped, quiet lines. Only this, probably: that the woman, whoever she was, had not the usual fancy of her sex for dramatizing her soul in her writing, her dress, her face,--kept it locked up instead, intact; that her words and looks, like her writing, were most likely simple, mere absorbents by which she drew what she needed of the outer world to her, not flaunting helps to fling herself, or the tragedy or comedy that lay within, before careless passers-by. The first page has the date, in red letters, _October 2, 1860_, largely and clearly written. I am sure the woman's hand trembled a little when she took up the pen; but there is no sign of it here; for it was a new, desperate adventure to her, and she was young, with no faith in herself. She did not look desperate, at all,--a quiet, dark girl, coarsely dressed in brown. There was not much light in the office where she sat; for the factory was in one of the close by-streets of the town, and the office they gave her was only a small square closet in the seventh story. It had but one window, which overlooked a back-yard full of dyeing vats. The sunlight that did contrive to struggle in obliquely through the dusty panes and cobwebs of the window had a sleepy odor of copperas latent in it. You smelt it when you stirred. The manager, Pike, who brought her up, had laid the day-books and this ledger open on the desk for her. As soon as he was gone, she shut the door, listening until his heavy boots had thumped creaking down the rickety ladder leading to the frame-rooms. Then she climbed up on the high office-stool (climbed, I said, for she was a little, little thing) and went to work, opening the books, and copying from one to the other as steadily, monotonously, as if she had been used to it all her life. Here are the first pages: see how sharp the angles are of the blue and black lines, how even the long columns: one would not think, that, as the steel pen traced them out, it seemed to be lining out her life, narrow and black. If any such morbid fancy were in the girl's head, there was no tear to betray it. The sordid, hard figures seemed to her the types of the years coming, but she wrote them down unflinchingly: perhaps life had nothing better for her, so she did not care. She finished soon: they had given her only an hour or two's work for the first day. She closed the books, wiped the pens in a quaint, mechanical fashion, then got down and examined her new home.