The Atlantic Monthly, Volume 08, No. 49, November, 1861: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 08, No. 49, November, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
Margaret said nothing in reply; the morning, she thought, was gray
and cold, as her own life. She stood leaning on the low cart;
some strange sympathy drew her to this poor wretch, dwarfed,
alone in the world,--some tie of equality, which the odd childish
face, nor the quaint air of content about the creature, did
not lessen. Even when Lois shook down the patched skirt of her flannel
frock straight, and settled the heaps of corn and tomatoes about her,
preparatory for a start, Margaret kept her hand on the side of the cart,
and walked slowly by it down the road. Once, looking at the girl, she
thought with a half smile how oddly clean she was. The flannel skirt she
arranged so complacently had been washed until the colors had run madly
into each other in sheer desperation; her hair was knotted with a
relentless tightness into a comb such as old women wear. The very cart,
patched as it was, had a snug, cozy look; the masses of vegetables,
green and crimson and scarlet, were heaped with a certain reference to
the glow of color, Margaret noticed, wondering if it were accidental.
Looking up, she saw the girl's brown eyes fixed on her face. They were
singularly soft, brooding brown.
"Ye'r' goin' to th' mill, Miss Marg'et?" she asked, in a half whisper.
"Yes. You never go there now, Lois?"
"No, 'm."
The girl shuddered, and then tried to hide it in a laugh. Margaret
walked on beside her, her hand on the cart's edge. Somehow this
creature, that Nature had thrown impatiently aside as a failure, so
marred, imperfect, that even the dogs were kind to her, came strangely
near to her, claimed recognition by some subtile instinct.
Partly for this, and partly striving to forget herself, she glanced
furtively at the childish face of the distorted little body, wondering
what impression the shifting dawn made on the unfinished soul that was
looking out so intently through the brown eyes. What artist sense had
she,--what could she know--the ignorant huckster--of the eternal laws
of beauty or grandeur? Nothing. Yet something in the girl's face made
her think that these hills, this air and sky, were in fact alive to
her,--real; that her soul, being lower, it might be, than ours, lay
closer to Nature, knew the language of the changing day, of these
earnest-faced hills, of the very worms crawling through the brown mould.
It was an idle fancy; Margaret laughed at herself for it, and turned
to watch the slow morning-struggle which Lois followed with such eager
eyes.
Public-domain text, read in full here on John Shaqi.
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