The Atlantic Monthly, Volume 08, No. 49, November, 1861: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 08, No. 49, November, 1861: A Magazine of Literature, Art, and Politics
Various
American periodicals
Later in the evening you would see an old man coming along, close by the
wall, with his head down,--a very dark man, with gray, thin hair,--Joe
Yare, Lois's old father. No one spoke to him,--people always were
looking away as he passed; and if old Mr. or Mrs. Polston were on the
steps when he came up, they would say, "Good-evening, Mr. Yare," very
formally, and go away presently. It hurt Lois more than anything else
they could have done. But she bustled about noisily, so that he would
not notice it. If they saw the marks of the ill life he had lived on his
old face, she did not; his sad, uncertain eyes may have been dishonest
to them, but they were nothing but kind to the misshapen little soul
that he kissed so warmly with a "Why, Lo, my little girl!" Nobody else
in the world ever called her by a pet name.
Sometimes he was gloomy and silent, but generally he told her of all
that had happened in the mill, particularly any little word of notice or
praise he might have received, watching her anxiously until she laughed
at it, and then rubbing his hands cheerfully. He need not have doubted
Lois's faith in him. Whatever the rest did, she believed in him; she
always had believed in him, through all the dark, dark years, when he
was at home, and in the penitentiary. They were gone now, never to come
back. It had come right. She, at least, thought his repentance sincere.
If the others wronged him, and it hurt her bitterly that they did, that
would come right some day too, she would think, as she looked at the
tired, sullen face of the old man bent to the window-pane, afraid to go
out. They had very cheerful little suppers there by themselves in the
odd, bare little room, as homely and clean as Lois herself.
Sometimes, late at night, when he had gone to bed, she sat alone in the
door, while the moonlight fell in broad patches over the quiet square,
and the great poplars stood like giants whispering together. Still the
far sounds of the town came up cheerfully, while she folded up her
knitting, it being dark, thinking how happy an ending this was to a
happy day. When it grew quiet, she could hear the solemn whisper of the
poplars, and sometimes broken strains of music from the cathedral in the
city floated through the cold and moonlight past her, far off into the
blue beyond the hills. All the keen pleasure of the day, the warm,
bright sights and sounds, coarse and homely though they were, seemed to
fade into the deep music, and make a part of it.
Public-domain text, read in full here on John Shaqi.
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