The Atlantic Monthly, Volume 09, No. 52, February, 1862: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 09, No. 52, February, 1862: A Magazine of Literature, Art, and Politics
Various
American periodicals
And the patient reader, too long snow-bound, must be liberated also.
After the winters of deepest drifts the spring often comes most
suddenly; there is little frost in the ground, and the liberated waters,
free without the expected freshet, are filtered into the earth, or climb
on ladders of sunbeams to the sky. The beautiful crystals all melt away,
and the places where they lay are silently made ready to be submerged
in new drifts of summer verdure. These also will be transmuted in their
turn, and so the eternal cycle of the seasons glides along.
Near my house there is a garden, beneath whose stately sycamores a
fountain plays. Three sculptured girls lift forever upward a chalice
which distils unceasingly a fine and plashing rain; in summer the spray
holds the maidens in a glittering veil, but winter takes the radiant
drops and slowly builds them up into a shroud of ice which creeps
gradually about the three slight figures: the feet vanish, the waist is
encircled, the head is covered, the piteous uplifted arms disappear, as
if each were a Vestal Virgin entombed alive for her transgression. They
vanishing entirely, the fountain yet plays on unseen; all winter the
pile of ice grows larger, glittering organ-pipes of congelation add
themselves outside, and by February a great glacier is formed, at whose
buried centre stand immovably the patient girls. Spring comes at
last, the fated prince, to free with glittering spear these enchanted
beauties; the waning glacier, slowly receding, lies conquered before
their liberated feet; and still the fountain plays. Who can despair
before the iciest human life, when its unconscious symbols are so
beautiful?
A STORY OF TO-DAY.
PART V.
There was a dull smell of camphor; a further sense of coolness and
prickling wet on Holmes's hot, cracking face and hands; then silence and
sleep again. Sometime--when, he never knew--a gray light stinging his
eyes like pain, and again a slow sinking into warm, unsounded darkness
and unconsciousness. It might be years, it might be ages. Even in
after-life, looking back, he never broke that time into weeks or days:
people might so divide it for him, but he was uncertain, always: it was
a vague vacuum in his memory: he had drifted out of coarse, measured
life into some out-coast of eternity, and slept in its calm. When, by
long degrees, the shock of outer life jarred and woke him, it was feebly
done: he came back reluctant, weak: the quiet clinging to him, as if he
had been drowned in Lethe, and had brought its calming mist with him,
out of the shades.
Public-domain text, read in full here on John Shaqi.
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