The Atlantic Monthly, Volume 09, No. 54, April, 1862: A Magazine of Literature, Art, and PoliticsVarious
Philosophy
The Atlantic Monthly, Volume 09, No. 54, April, 1862: A Magazine of Literature, Art, and Politics
Various
American periodicals
The sun went down, and all the wide plain seemed like the sea at
twilight, lying in rosy and lilac and purple shadowy bands, out of
which rose the old city, solemn and lonely as some enchanted island of
dream-land, with a flush of radiance behind it and a tolling of weird
music filling all the air around. Now they are chanting the Ave Maria in
hundreds of churches, and the Princess worships in distant accord, and
tries to still the anxieties of her heart with many a prayer. Twilight
fades and fades, the Campagna becomes a black sea, and the distant city
looms up like a dark rock against the glimmering sky, and the Princess
goes within and walks restlessly through the wide halls, stopping first
at one open window and then at another to listen. Beneath her feet she
treads a cool mosaic pavement where laughing Cupids are dancing. Above,
from the ceiling, Aurora and the Hours look down in many-colored clouds
of brightness. The sound of the fountains without is so clear in the
intense stillness that the peculiar voice of each one can be told. That
is the swaying noise of the great jet that rises from marble shells and
falls into a wide basin, where silvery swans swim round and round in
enchanted circles; and the other slenderer sound is the smaller jet that
rains down its spray into the violet-borders deep in the shrubbery; and
that other, the shallow babble of the waters that go down the marble
steps to the lake. How dreamlike and plaintive they all sound in the
night stillness! The nightingale sings from the dark shadows of the
wilderness; and the musky odors of the cyclamen come floating ever
and anon through the casement, in that strange, cloudy way in which
flower-scents seem to come and go in the air in the night season.
At last the Princess fancies she hears the distant tramp of horses'
feet, and her heart beats so that she can scarcely listen: now she hears
it,--and now a rising wind, sweeping across the Campagna, seems to bear
it moaning away. She goes to a door and looks out into the darkness.
Yes, she hears it now, quick and regular,--the beat of many horses' feet
coming in hot haste along the road. Surely the few servants whom she has
sent cannot make all this noise! and she trembles with vague affright.
Perhaps it is a tyrannical message, bringing imprisonment and death. She
calls a maid, and bids her bring lights into the reception-hall. A
few moments more, and there is a confused stamping of horses' feet
approaching the house, and she hears the voices of her servants. She
runs into the piazza, and sees dismounting a knight who carries Agnes in
his arms pale and fainting. Old Elsie and Monica, too, dismount, with
the Princess's men-servants; but, wonderful to tell, there seems besides
them to be a train of some hundred armed horsemen.
Public-domain text, read in full here on John Shaqi.
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