The Atlantic Monthly, Volume 09, No. 54, April, 1862: A Magazine of Literature, Art, and PoliticsVarious
Philosophy
The Atlantic Monthly, Volume 09, No. 54, April, 1862: A Magazine of Literature, Art, and Politics
Various
American periodicals
Clough was at Oxford in 1847,--the year of the terrible Irish famine,
and with others of the most earnest men at the University he took part
in an association which had for its object "Retrenchment for the sake
of the Irish." Such a society was little likely to be popular with the
comfortable dignitaries or the luxurious youth of the University. Many
objections, frivolous or serious as the case might be, were raised
against so subversive a notion as that of the self-sacrifice of the rich
for the sake of the poor. Disregarding all personal considerations,
Clough printed a pamphlet entitled, "A Consideration of Objections
against the Retrenchment Association," in which he met the careless or
selfish arguments of those who set themselves against the efforts of
the society. It was a characteristic performance. His heart was deeply
stirred by the harsh contrast between the miseries of the Irish poor and
the wasteful extravagance of living prevalent at Oxford. He wrote with
vehement indignation against the selfish pleas of the indifferent and
the thoughtless possessors of wealth, wasters of the goods given them as
a trust for others. His words were chiefly addressed to the young men
at the University,--and they were not without effect. Such views of the
rights and duties of property as he put forward, of the claims of labor,
and of the responsibilities of the aristocracy, had not been often heard
at Oxford. He was called a Socialist and a Radical, but it mattered
little to him by what name he was known to those whose consciences were
not touched by his appeal. "Will you say," he writes toward the end of
this pamphlet, "this is all rhetoric and declamation? There is, I dare
say, something too much in that kind. What with criticizing style and
correcting exercises, we college tutors perhaps may be likely, in the
heat of composition, to lose sight of realities, and pass into the limbo
of the factitious,--especially when the thing must be done at odd times,
in any case, and, if at all, quickly. But if I have been obliged to
write hurriedly, believe me, I have obliged myself to think not hastily.
And believe me, too, though I have desired to succeed in putting vividly
and forcibly that which vividly and forcibly I felt and saw, still the
graces and splendors of composition were thoughts far less present to my
mind than Irish poor men's miseries, English poor men's hardships, and
your unthinking indifference. Shocking enough the first and the second,
almost more shocking the third."
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