The Atlantic Monthly, Volume 10, No. 57, July, 1862: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 10, No. 57, July, 1862: A Magazine of Literature, Art, and Politics
Various
American periodicals
And there is hurrying to and fro, and a clang of many voices, and the
clatter of much crockery, and a lifting, and balancing, and battering
against walls and curving around corners, and sundry contusions, and a
great waste of expletives, and a loading of wagons, and a driving of
patient oxen back and forth with me generally on the top of the load,
steadying a basket of eggs with one foot, keeping a tin can of
something from upsetting with the other, and both arms stretched around
a very big and very square picture-frame that knocks against my nose or
my chin every time the cart goes over a stone or drops into a rut, and
the wind threatening to blow my hat off, and blowing it off, and my
"back-hair" tumbling down,--and the old house is at last despoiled. The
rooms stand bare and brown and desolate. The sun, a hand-breadth above
the horizon, pours in through the unblinking windows. The last load is
gone. The last man has departed. I am left alone to lock up the house
and walk over the hill to the new home. Then, for the first time, I
remember that I am leaving. As I pass through the door of my own room,
not regretfully, I turn. I look up and down and through and through the
place where I shall never rest again, and I rejoice that it is so. As I
stand there, with the red, solid sunshine lying on the floor, lying on
the walls, unfamiliar in its new profusion, the silence becomes
audible. In the still October evening there is an effort in the air.
The dumb house is striving to find a voice. I feel the struggle of its
insensate frame. The old timbers quiver with the unusual strain. The
strong, blind, vegetable energy agonizes to find expression, and,
wrestling like a pinioned giant, the soul of matter throws off the
weight of Its superincumbent inertia. Slowly, gently, most sorrowfully
through the golden air cleaves a voice that is somewhat a wail, yet not
untuned by love. Inarticulate at first, I catch only the low
mournfulness; but it clears, it concentrates, it murmurs into cadence,
it syllables into intelligence, and thus the old house speaks:--
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