The Atlantic Monthly, Volume 10, No. 57, July, 1862: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 10, No. 57, July, 1862: A Magazine of Literature, Art, and Politics
Various
American periodicals
The wretched young man supported himself against the post of an awning,
buried his face in his hands, and wept passionately. Once or twice he
essayed to speak, but his voice was choked by sobs, and, alter a look
from the streaming eyes which Asenath could scarcely bear to meet, he
again covered his face. A stranger, coming down the street, paused out
of curiosity. "Come, come!" cried Eli, once more, eager to escape from
the scene. His daughter stood still, and the man slowly passed on.
Asenath could not thus leave her lost lover, in his despairing grief.
She again turned to him, her own tears flowing fast and free.
"I do not judge thee, Richard, but the words that passed between us
give me a right to speak to thee. It was hard to lose sight of thee
then, but it is still harder for me to see thee now. If the sorrow and
pity I feel could save thee, I would be willing never to know any other
feelings. I would still do anything for thee except that which thee
cannot ask, as thee now is, and I could not give. Thee has made the
gulf between us so wide that it cannot be crossed. But I can now weep
for thee and pray for thee as a fellow-creature whose soul is still
precious in the sight of the Lord. Fare thee well!"
He seized the hand she extended, bowed down, and showered mingled tears
and kisses upon it. Then, with a wild sob in his throat, he started up
and rushed down the street, through the fast-falling rain. The father
and daughter walked home in silence. Eli had heard every word that was
spoken, and felt that a spirit whose utterances he dared not question
had visited Asenath's tongue.
She, as year after year went by, regained the peace and patience which
give a sober cheerfulness to life. The pangs of her heart grew dull and
transient; but there were two pictures in her memory which never
blurred in outline or faded in color: one, the brake of autumn flowers,
under the bright autumnal sky, with bird and stream making accordant
music to the new voice of love; the other, a rainy street, with a lost,
reckless man leaning against an awning-post, and staring in her face
with eyes whose unutterable woe, when she dared to recall it, darkened
the beauty of the earth, and almost shook her trust in the providence
of God.
V.
Public-domain text, read in full here on John Shaqi.
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