It is stated at the close of this newspaper romance,--and it may nevertheless be true,--that these events were embodied in a song bearing the same title with this essay, "Gabriel's Defeat," and set to a tune of the same name, both being composed by a colored man. The reporter claims to have heard it in Virginia, as a favorite air at the dances of the white people, as well as in the huts of the slaves. It would certainly be one of history's strange parallelisms, if this fatal enterprise, like that of John Brown afterwards, should thus triumphantly have embalmed itself in music. But I have found no other trace of such a piece of border-minstrelsy, and it is probable that even this plaintive memorial has at length disappeared. Yet, twenty-two years after these events their impression still remained vivid enough for Benjamin Lundy, in Tennessee, to write,--"So well had they matured their plot, and so completely had they organized their system of operations, that nothing but a seemingly miraculous intervention of the arm of Providence was supposed to have been capable of saving the city from pillage and flames, and the inhabitants thereof from butchery. So dreadful was the alarm and so great the consternation produced on this occasion, that a member of Congress from that State was some time after heard to express himself in his place as follows: 'The night-bell is never heard to toll in the city of Richmond but the anxious mother presses her infant more closely to her bosom.'" The Congressman was John Randolph of Roanoke, and it was Gabriel who had taught him the lesson.