The Atlantic Monthly, Volume 10, No. 60, October, 1862: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 10, No. 60, October, 1862: A Magazine of Literature, Art, and Politics
Various
American periodicals
While I gazed, I insensibly approached the still group; and while musing
what manner of grief it might be, which could solace by perpetuating its
mere image, I observed two other persons, whose entrance I had not been
aware of, but whose attention was evidently directed to what had
attracted mine. They were a lady and a gentleman, and the latter seemed
actually supporting the former, who leaned heavily upon his arm, as it
appeared from her manner of carriage, so weakly and wearily she stood.
Her form was extremely slight, and the outline of her countenance sharp
from attenuation, and in that uncertain light, or rather shade, she
looked almost as pale as the carved faces before us. The gentleman, who
was of a stately height, bent over her with an anxious air, while she
gazed fixedly upon the monument. Her silence seemed to oppress him, for
after a minute or two he asked her whether it was not very beautiful.
"You know," she answered, in one of those low voices that are more
impressive than the loudest, "You know I always suspect those memorials.
I would rather have a niche in the heart."
They passed on, and left me standing there. I know not whether the
fragile speaker has earned the monument she desired, whether those
feeble footsteps have found their repose,--"a quiet conscience in a
quiet breast,"--but her words struck me, and I have often thought of
them since.
There is always something which seems less than the intention in a
monument to heroism or to goodness, the patriot of the country, or the
missionary of civilization. Every one feels that the graves of War, the
many in the one, where link is welded to link in the chain of glory, are
more sublime, more sacred, than the exceptional mausoleum. Every one has
been struck with repugnant melancholy in the city church-yard, where
tomb presses against tomb, and multitude in death destroys identity,
saving where the little greatness of wealth or rank may provide itself a
separate railing or an overtopping urn. Even in the more suggestive
solitude of the country, one cannot but contrast the few hillocks here
and there carefully weeded, and their trained and tended rose-bushes,
with the many more neglected and sunken, whose distained stones the
brier-tangle half conceals, and whose forget-me-nots have long since
died for want of water. One may even muse unprofitably (despite the
moralist) in our picturesque cemeteries, and as unprofitably in those
abroad, with their crowds of crosses and monotony of immortal wreaths.
In fact, whether on grounds philosophical or religious, it is not good
to brood on mortality for itself alone; better rather to recall the
living past, and in the living present prepare for the perfect future.
Public-domain text, read in full here on John Shaqi.
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