The Atlantic Monthly, Volume 10, No. 60, October, 1862: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 10, No. 60, October, 1862: A Magazine of Literature, Art, and Politics
Various
American periodicals
The twilight was almost gone on the Saturday night when I went back to
the grave, solemn house. There was no one dead in it now. It was the
first time that I had approached it without the abyss of shadow under
its roof. A little elasticity came back to me. Kino came out to give his
welcome: we had become friendly. Katie let me in.
"Perhaps you'd choose to wait down-stairs a bit," she said; "Mr.
Abraham's getting his tea up in Miss Lettie's room."
She lighted the lamp, and left me. After my two explorations in unknown
realms,--the one voluntary, looking at the painting on the wall, the
other involuntary, looking at a human soul in sorrow,--I resolved to
shut my eyes to all that they ought not to see; and therefore I
stationed myself in the green glade of a chair, and very properly
decided that the only thing I would look at should be the fire. What I
might see there surely could offend no one, unless it were the deity of
Coal,--and Redleaf was not near any carboniferous group.
Peculiar were the forms the fire took an elfish pleasure in assuming.
Little blue flames came up into atmospheric life, through the rending
fissures where so many years of ages they had been pent into the very
blackness of darkness; and as they gained their freedom, they gave tiny,
crackling shouts of liberty. "We're free! we're free!" they smally
cried; and I wondered if a race, buried as deeply in the strata of races
as these bits of burning coal had been in the geologic periods of earth,
could utter such cries.
The fire grew, the liberty paeans ceased. Deep opaline content burned
lambescent amid the coals. Ashy cinders fell from the grate slowly,
slumberously, as the one dead, that very afternoon buried, had gone to
rest, in the night-time, when the household was asleep, without any one
to hold her hand whilst she took the first step in the surging sea of
river. Yes, she died alone,--"in the heart of the night," Dr. Eaton said
it must have been "that the bridegroom came." Had she oil in her lamp?
What was she like? Like her son Abraham, or her daughter Lettie? I tried
to paint her face as it must have been. It is darker still in that grave
where she lies than was the night wherein she died. Miss Lettie was
right: they have a fathom of earth over her,--there's not one glimmer of
light down there. When I am buried, won't _some one_ shut in one little
sun-ray with me, that I may see to feel the gloom?
Public-domain text, read in full here on John Shaqi.
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