Jane Austen possessed in a remarkable degree this rare intuition. The following passage is found in Sir Walter Scott's journal, under date of the fourteenth of March, 1826:--"Read again, and for the third time at least, Miss Austen's finely written novel of 'Pride and Prejudice.' That young lady had a talent for describing the involvements and feelings and characters of ordinary life, which is to me the most wonderful I ever met with. The Big Bow-wow strain I can do myself like any now going; but the exquisite touch which renders ordinary commonplace things and characters interesting from truth of the description and the sentiment is denied to me." This is high praise, but it is something more when we recur to the time at which Sir Walter writes this paragraph. It is amid the dreary entries in his journal of 1826, many of which make our hearts ache and our eyes overflow. He read the pages of Jane Austen on the fourteenth of March, and on the fifteenth he writes, "This morning I leave 39 Castle Street for the last time." It was something to have written a book sought for by him at such a moment. Even at Malta, in December, 1831, when the pressure of disease, as well as of misfortune, was upon him, Sir Walter was often found with a volume of Miss Austen in his hand, and said to a friend, "There is a finishing-off in some of her scenes that is really quite above everybody else." Jane Austen's life-world presented such a limited experience that it is marvellous where she could have found the models from which she studied such a variety of forms. It is only another proof that the secret lies in the genius which seizes, not in the material which is seized. We have been told by one who knew her well, that Miss Austen never intentionally drew portraits from individuals, and avoided, if possible, all sketches that could be recognized. But she was so faithful to Nature, that many of her acquaintance, whose characters had never entered her mind, were much offended, and could not be persuaded that they or their friends had not been depicted in some of her less attractive personages: a feeling which we have frequently shared; for, as the touches of her pencil brought out the light and shades very quietly, we have been startled to recognize our own portrait come gradually out on the canvas, especially since we are not equal to the courage of Cromwell, who said, "Paint me as I am." In the "Autobiography of Sir Egerton Brydges" we find the following passage: it is characteristic of the man:--