The Atlantic Monthly, Volume 11, No. 67, May, 1863: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 11, No. 67, May, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
It ill becomes me, perhaps, to have lapsed into this mood of half-jocose
criticism in describing my first visit to Westminster Abbey, a spot
which I had dreamed about more reverentially, from my childhood upward,
than any other in the world, and which I then beheld, and now look back
upon, with profound gratitude to the men who built it, and a kindly
interest, I may add, in the humblest personage that has contributed his
little all to its impressiveness, by depositing his dust or his memory
there. But it is a characteristic of this grand edifice that it permits
you to smile as freely under the roof of its central nave as if you
stood beneath the yet grander canopy of heaven. Break into laughter, if
you feel inclined, provided the vergers do not hear it echoing among the
arches. In an ordinary church, you would keep your countenance for fear
of disturbing the sanctities or proprieties of the place; but you need
leave no honest and decorous portion of your human nature outside of
these benign and truly hospitable walls. Their mild awfulness will take
care of itself. Thus it does no harm to the general impression, when
you come to be sensible that many of the monuments are ridiculous, and
commemorate a mob of people who are mostly forgotten in their graves,
and few of whom ever deserved any better boon from posterity. You
acknowledge the force of Sir Godfrey Kneller's objection to being buried
in Westminster Abbey, because "they do bury fools there!" Nevertheless,
these grotesque carvings of marble, that break out in dingy-white
blotches on the old freestone of the interior walls, have come there by
as natural a process as might cause mosses and ivy to cluster about the
external edifice; for they are the historical and biographical record of
each successive age, written with its own hand, and all the truer for
the inevitable mistakes, and none the less solemn for the occasional
absurdity. Though you entered the Abbey expecting to see the tombs only
of the illustrious, you are content, at last, to read many names, both
in literature and history, that have now lost the reverence of mankind,
if, indeed, they ever really possessed it. Let these men rest in peace.
Even if you miss a name or two that you hoped to find there, they
may well be spared. It matters little a few more or less, or whether
Westminster Abbey contains or lacks any one man's grave, so long as the
Centuries, each with the crowd of personages that it deemed memorable,
have chosen it as their place of honored sepulture, and laid themselves
down under its pavement. The inscriptions and devices on the walls
are rich with evidences of the fluctuating tastes, fashions, manners,
opinions, prejudices, follies, wisdoms of the past, and thus they
combine into a more truthful memorial of their dead times than any
individual epitaph-maker ever meant to write.
Public-domain text, read in full here on John Shaqi.
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