The Atlantic Monthly, Volume 11, No. 67, May, 1863: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 11, No. 67, May, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
So you are thriftless when you eagerly seize the first opportunity
to fritter away your time over old clothes. You precipitate yourself
unnecessarily against a disagreeable thing. For you are not going to put
your stockings on. Perhaps you will not need your buttons for a week,
and in a week you may have passed beyond the jurisdiction of buttons.
But even if you should not, let the buttons and the holes alone all the
same. For, first, the pleasant and profitable thing which you will do
instead is a funded capital which will roll you up a perpetual interest;
and secondly, the disagreeable duty is forever abolished. I say forever,
because, when you have gone without the button awhile, the inconvenience
it occasions will reconcile you to the necessity of sewing it on,--will
even go farther, and make it a positive relief amounting to positive
pleasure. Besides, every time you use it, for a long while after you
will have a delicious sense of satisfaction, such as accompanies the
sudden complete cessation of a dull, continuous pain. Thus what was at
best characterless routine, and most likely an exasperation, is turned
into actual delight, and adds to the sum of life. This is thrift. This
is economy. But, alas! few people understand the art of living. They
strive after system, wholeness, buttons, and neglect the weightier
matters of the higher law.
--I wonder how I got here, or how I am to get back again. I started for
Fontdale, and I find myself in a mending-basket. As I know no good in
tracing the same road back, we may as well strike a bee-line and begin
new at Fontdale.
We stopped at Fontdale a-cousining. I have a veil, a beautiful--_have_,
did I say? Alas! Troy _was_. But I must not anticipate--a beautiful veil
of brown tissue, none of your woolleny, gruff fabrics, fit only for
penance, but a silken gossamery cloud, soft as a baby's check. Yet
everybody fleers at it. Everybody has a joke about it. Everybody looks
at it, and holds it out at arms' length, and shakes it, and makes great
eyes at it, and says, "What in the world"--, and ends with a huge,
bouncing laugh. Why? One is ashamed of human nature at being forced to
confess. Because, to use a Gulliverism, it is longer by the breadth of
my nail than any of its contemporaries. In fact, it is two yards long.
That is all. Halicarnassus fired the first gun at it by saying that its
length was to enable one end of it to remain at home while the other end
went with me, so that neither of us should get lost. This is an
allusion to a habit which I and my property have of finding ourselves
individually and collectively left in the lurch. After this initial
shot, everybody considered himself at liberty to let off his rusty old
blunderbuss, and there was a constant peppering. But my veil never
lowered its colors nor curtailed its resources. Alas! what ridicule and
contumely failed to effect, destiny accomplished. Softness and plenitude
are no shields against the shafts of fate.
Public-domain text, read in full here on John Shaqi.
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