The Atlantic Monthly, Volume 11, No. 67, May, 1863: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 11, No. 67, May, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
immediately catching an interest in the affair, which seemed to contain
no very exalted rivalship of manhood; but, whatever the kind of battle
or the prize of victory, it stirs one's sympathy immensely, and is even
awful, to behold the rare sight of a man thoroughly in earnest, doing
his best, putting forth all there is in him, and staking his very soul
(as these rowers appeared willing to do) on the issue of the contest. It
was the seventy-fourth annual regatta of the Free Watermen of Greenwich,
and announced itself as under the patronage of the Lord Mayor and other
distinguished individuals, at whose expense, I suppose, a prize-boat
was offered to the conqueror, and some small amounts of money to the
inferior competitors.
The aspect of London along the Thames, below Bridge, as it is called, is
by no means so impressive as it ought to be, considering what peculiar
advantages are offered for the display of grand and stately architecture
by the passage of a river through the midst of a great city. It seems,
indeed, as if the heart of London had been cleft open for the mere
purpose of showing how rotten and drearily mean it had become. The shore
is lined with the shabbiest, blackest, and ugliest buildings that can be
imagined, decayed warehouses with blind windows, and wharves that
look ruinous; insomuch that, had I known nothing more of the world's
metropolis, I might have fancied that it had already experienced the
down-fall which I have heard commercial and financial prophets predict
for it, within the century. And the muddy tide of the Thames, reflecting
nothing, and hiding a million of unclean secrets within its breast,--a
sort of guilty conscience, as it were, unwholesome with the rivulets of
sin that constantly flow into it,--is just the dismal stream to glide
by such a city. The surface, to be sure, displays no lack of activity,
being fretted by the passage of a hundred steamers and covered with a
good deal of shipping, but mostly of a clumsier build than I had been
accustomed to see in the Mersey: a fact which I complacently attributed
to the smaller number of American clippers in the Thames, and the
less prevalent influence of American example in refining away the
broad-bottomed capacity of the old Dutch or English models. About midway
between Greenwich and London Bridge, at a rude landing-place on the left
bank of the river, the steamer rings its bell and makes a momentary
pause in front of a large circular structure, where it may be worth our
while to scramble ashore. It indicates the locality of one of those
prodigious practical blunders that would supply John Bull with a topic
of inexhaustible ridicule, if his cousin Jonathan had committed
them, but of which he himself perpetrates two to our one in the mere
wantonness of wealth that lacks better employment. The circular building
covers the entrance to the Thames Tunnel, and is surmounted by a dome of
glass, so as to throw daylight down into the great depth at which the
Public-domain text, read in full here on John Shaqi.
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