There is yet another way. You may go with one or many who believe and practise the doctrine of _laissez-faireity_. Do not now proceed to dash your brains out against that word. I have just done it myself, and one such head as mine is ample sacrifice for any verbal crime. They go to the concert for love of music,--negatively for its rest and refreshment, positively for its embodied delights. They take you for your enjoyment, which they permit you to compass after your own fashion. They force from you no comment. They demand no criticism. They do not require censure as your certificate of taste. They do not trouble themselves with your demeanor. If you choose to talk in the pauses, they are receptive and cordial. If you choose to be silent, it is just as well. If you go to sleep, they will not mind,--unless, under the spell of the genius of the place, your sleep becomes vocal, and you involuntarily join the concert in the undesirable _rôle_ of De Trop. If you go into raptures, it is all the same; you are not watched and made a note of. They leave you at the top of your bent. Whether you shall be amused, delighted, or disgusted, they respect your decisions and allow you to remain free. How did I go to my concert? Can I tell for the eyes that made "a sunshine in the shady place"? Was I not veiled with the beautiful hair, and blinded with the lily's white splendor? So went I with the Fairy Queen in her golden coach drawn by six white mice, and, behold, I was in Camilla's concert-room. It is to be a fiddle affair. Now I am free to say, if there is anything I hate, it is a fiddle. Hide it away under as many Italian coatings as you choose,--viol, violin, viola, violone, violoncello, violoncellettissimo, at bottom it is all one, a fiddle; in its best estate, a diddle, diddle, frivolous, rattling, Yankee-Doodle, country-tavern-ball whirligig, without dignity, sentiment, or power; and at worst a rubbing, rasping, squeaking, woolleny, noisy nuisance, that it sets my teeth on edge to think of. I shudder at the mere memory of the reluctant bow dragging its slow length across the whining strings. And here I am, in my sober senses, come to hear a fiddle! But it is Camilla's. Do you remember--I don't, but I should, if I had known it--a little girl who, a few years ago, became famous for her wonderful performance on the violin? At six years of age she went to a great concert, and of all the fine instruments there, the unseen spirit within her made choice, "Papa, I should like to learn the violin." So she learned it and loved it, and when ten years old delighted foreign and American audiences with her marvellous genius. It was the little Camilla who now, after ten years of silence, tuned her beloved instrument once more.