recognition of the Gentleman in Sir Roger de Coverley, Uncle Toby, and Don Quixote; and the admirable distinction pointed out between the characters of Scott, Byron, Shelley, and Keats. There is no part of the volume more worthy attention than the remarks of a "high-bred tone in writing." The hollowness of Chesterfield's code is keenly exposed; Honor and Vulgarity are freshly and ably defined; Fashion, Pride, and Vanity, the conventional elements of the Gentleman, are treated with philosophical justice; the favorite characters of fiction, and the most renowned poets and heroes, beaux and braves, pass before us, and are subjected to the test of that Christian ideal of the Gentleman so clearly defined and firmly applied by the intrepid author; and many a disguised coxcomb is stripped of his borrowed plumes, imperial _parvenus_ exposed as charlatans in manners as well as morals, and heroic, but modest souls, of whom the world's court-calendar gives no hint, stand forth exemplars of the highest, because the most soulful breeding.