The Atlantic Monthly, Volume 11, No. 68, June, 1863: A Magazine of Literature, Art, and PoliticsVarious
Science
The Atlantic Monthly, Volume 11, No. 68, June, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
Through whose hands may it not have passed since its printing! Sometimes
I seem to snuff in it the taint of a dirty-handed friar, who loved his
pot-herbs better than his breviary, and plotted his yearly garden on
some shelf of the hills that look down on Castagnolo: other times I
scent only the mould and the damp of some monastery shelf, that guarded
it quietly and cleanly, while red-handed war raged around the walls.
Crescenzi was a man of good family in Bologna, being nephew of Crescenzi
di Crescenzo, who died in 1268, an ambassador in Venice. Pietro was
educated to the law, and, wearying of the civil commotions in his native
town, accepted judicial positions in the independent cities of
Italy,--Pisa and Asti among others; and after thirty years of absence,
in which, as he says, he had read many authors,[21] and seen many sorts
of farming, he gives his book to the world.
Its arrangement is very similar to that of Palladius, to which he makes
frequent reference. There is long and quaint talk of situations,
breezes, cellar-digging, and wells; but in the matter of irrigation and
pipe-laying he is clearly in advance of the Roman writers. He discourses
upon tiles, and gives a cement for making water-tight their
junction,--"_Calcina viva intrisa con olio_." (Lib. I. Cap. ix.) He adds
good rules for mortar-making, and advises that the timber for
house-building be cut in November or December in the old of the moon.
In matters of physiology he shows a near approach to modern views: he
insists that food for plants must be in a liquid form.[22]
He quotes Columella's rule for twenty-four loads (_carrette_) of manure
to hill-lands per acre, and eighteen to level land; and adds,--"Our
people put the double of this,"--"_I nostri mettano più chel doppio._"
But the book of our friend Crescenzi is interesting, not so much for its
maxims of agronomic wisdom as for its association with one of the most
eventful periods o£ Italian history. The new language of the
Peninsula[23] was just now crystallizing into shape, and was presently
to receive the stamp of currency from the hands of Dante and Boccaccio.
A thriving commerce through the ports of Venice and Amalfi demanded all
the products of the hill-sides. Milan, then having a population of two
hundred thousand, had turned a great river into the fields,--which to
this day irrigates thousands of acres of rice-lands. Wheat was grown in
profusion, at that time, on fields which are now desolated by the
malaria, or by indolence. In the days of Crescenzi, gunpowder was burned
for the first time in battle; and for the first time crops of grain were
paid for in bills of exchange. All the Peninsula was vibrating with the
throbs of a new and more splendid life. The art that had cropped out of
the fashionable schools of Byzantium was fast putting them in eclipse;
and before Crescenzi died, if he loved art on canvas as he loved art in
gardens, he must have heard admiringly of Cimabue, and Giotto, and
Orcagna.
Public-domain text, read in full here on John Shaqi.
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