The Atlantic Monthly, Volume 12, No. 69, July, 1863: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 12, No. 69, July, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
"Yes, everything moves," said Caroline. "Are Cupid and Psyche coming to
join us? Will my great-grand-aunt come down to the waltz in her brocade?
My sober cousin, and Marie, who gave up dancing long ago,--they are all
carried away. It seems to me like the strange dance of a Walpurgis
night,--as though I saw ghosts, and demons too, whirling over the Brocken,
across wild forests. It is no longer our gilded drawing-room, with its
tapestries, its _bijouterie_, its sound and light both muffled: we are out
in the wild tempest; there are sighing pines, dashing waterfalls. Do you
know that is where your music carries me always? Whether it is grave or
gay, it takes me out into whirling winds, and tosses me in tempests. They
call society gay here, and dizzying,--dance and music, show, excess,
following each other; but it is all sleep, Lethe, in comparison with the
mad world into which your music whirls me. Oh, stop a moment, Arnold! will
you not stop? It is too wild and maddening!"
The strains crashed into discord, crashed into harmony, and then there was
a wonderful silence. The dancers were suddenly stilled,--looked at each
other with flushed cheek,--would have greeted each other, as if they had
just met in a foreign land; but they recovered themselves in time. Nothing
unconventional was said or done.
"Did I dance?" Marie asked herself,--"or was I only looking on?"
One of the dancers scarcely dared to look round, lest it should prove to
be the great-grand-aunt's brocade that she heard rustle behind her; while
another thanked her partner for a chair, with eyes cast down, lest it
might be Cupid that offered it. But the room was the same; there was an
elegant calm over everything. Tea-poys, light chairs, fragile vases have
been undisturbed by crinoline even.
"Are you quite sure this Chinese joss was on this table, when the music
began?" asked Marie's companion of her, whisperingly.
"Oh, hush, you don't think _that_ danced, do you?" said Marie, with a
shudder.
"I hardly know. I think the musician was on this side of the room a little
while ago, piano and all."
"Don't talk so," replied Marie. "They are all going now. I am glad of it.
You will be at the opera to-night? I must say I like opera-music better
than this wild German stuff that sets one's brain whirling!"
"Heels, too, I should say," said her companion; and they took their leave
with the rest.
Public-domain text, read in full here on John Shaqi.
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