world, and lay there to be waited upon like a queen or a baby. In the same room sat a pauper who had once been an actress of considerable repute, but was compelled to give up her profession by a softening of the brain. The disease seemed to have stolen the continuity out of her life, and disturbed all healthy relationship between the thoughts within her and the world without. On our first entrance, she looked cheerfully at us, and showed herself ready to engage in conversation; but suddenly, while we were talking with the century-old crone, the poor actress began to weep, contorting her face with extravagant stage-grimaces, and wringing her hands for some inscrutable sorrow. It might have been a reminiscence of actual calamity in her past life, or, quite as probably, it was but a dramatic woe, beneath which she had staggered and shrieked and wrung her hands with hundreds of repetitions in the sight of crowded theatres, and been as often comforted by thunders of applause. But my idea of the mystery was, that she had a sense of wrong in seeing the aged woman (whose empty vivacity was like the rattling of dry peas in a bladder) chosen as the central object of interest to the visitors, while she herself, who had agitated thousands of hearts with a breath, sat starving for the admiration that was her natural food. I appeal to the whole society of artists of the Beautiful and the Imaginative,--poets, romancers, painters, sculptors, actors,--whether or no this is a grief that may be felt even amid the torpor of a dissolving brain!