The Atlantic Monthly, Volume 12, No. 71, September, 1863: A Magazine of Literature, Art, and PoliticsVarious
Religion
The Atlantic Monthly, Volume 12, No. 71, September, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
[Footnote A: "_In any thinking mind_." Yet it must be confessed that
there _does_ exist a woful ignorance or negligence concerning De Quincey
in quarters from which better things might be expected. Misappreciation
it cannot be called, where no trouble has been taken to estimate claims
that needed only to be weighed to be truly valued. Up to this time,
there has never been published in England a single essay on the life or
the genius of De Quincey that indicated even a good acquaintance, on the
part of the writer, with that author's works; and in such a case, of
course, not much could be looked for in the way of just interpretation.
Gilfillan did him gross injustice: indeed, from what he condescended to
say of the man, it would be difficult to conjecture that a greater than
Gilfillan was there. And, will the reader believe it? in Professor
Craik's "English Literature"--a work of great excellence--the name of De
Quincey is not mentioned! "Sam Johnson," says Craik, "was the last king
that sat upon the throne of English prose literature." Let it be that
Sam was a proper king; yet it is just as true that De Quincey was
legitimately his successor. First, in the matter of time: Sam died in
1784, and De Quincey was born in 1785, just in time to continue the
regal line. What was it, again, that entitled Johnson to kingly honors?
Was it learning? De Quincey was as erudite. Was it his style? There is
no writer in the language who in that matter may look down on De
Quincey.
If there ever was a writer "damned with faint praise," it was De
Quincey. Some stupid writer for the London "Athenæum," for instance,
dared to compliment the poor "opium-chewer" after the following
style:--"He possessed taste, but _he lacked creative energy_; and his
subtle and highly refined intellect was ingenious and acute rather than
powerful." This reminds me of a criticism once passed upon Shakspeare by
a mere pedagogue, to the effect that the great poet had considerable
genius, but very little taste!]
Else I should plunge _in medias res_ upon a sketch of De Quincey's life;
were it not a rudeness amounting to downright profanity to omit the
important ceremony of prelibation, and that at a banquet to which,
implicitly, gods are invited. The reader will assuredly unite with me in
all such courtesies,--
"Neu desint epulis rosæ";
particularly as the shade we deal with can be evoked only by peculiar
incantations,--only the heralding of certain precise claims will this
monarch listen to as the just _inferiæ_, the fitting sacrifice or
hecatomb of our homage.
Public-domain text, read in full here on John Shaqi.
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