The Atlantic Monthly, Volume 12, No. 71, September, 1863: A Magazine of Literature, Art, and PoliticsVarious
Religion
The Atlantic Monthly, Volume 12, No. 71, September, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
Thomas de Quincey--hierophant, rhapsodist, philosopher--was born at
Greenhay, then a suburb of Manchester, in Lancashire County, England, on
the 15th of August, 1785. According to his own account, the family of
the De Quinceys was of Norwegian origin; and after its transfer to
France, in connection with William the Norman, it received its
territorial appellation from the village of Quincy, in Normandy. Thence,
at the time of the Norman Invasion, it was transplanted to England,
where, as afterwards in Scotland, it rose to the highest position, not
merely in connection with a lordly title and princely estates, but
chiefly on account of valuable services rendered to the State, and
conferring preeminence in baronial privilege and consideration.
So sensitive was De Quincey, even at the early age of fifteen, on the
point of his descent, lest from his name he might be supposed of French
extraction, that, even into the ears of George III. (that king having,
in an accidental interview with him at Frogmore, suggested the
possibility of his family having come to England at the time of the
Huguenot exodus from France) he ventured to breathe the most earnest
protest against any supposition of that nature, and boldly insisted upon
his purely Norman blood,--blood that in the baronial wars had helped to
establish the earliest basis of English constitutional liberty, and that
had flowed from knightly veins in the wars of the Crusades. Robert De
Quincey came into England with William the Conqueror, uniting with whose
fortunes, he fared after the Conquest as a feudal baron, founding the
line of Winchester; and that he was a baron of the first water is
evident from the statement of Gerard Leigh,--that his armorial device
was inscribed (and how inscribed, if not memorially and as a mark of
eminent distinction?) on the stained glass in the old church of St.
Paul's.
Public-domain text, read in full here on John Shaqi.
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