The Atlantic Monthly, Volume 12, No. 74, December, 1863: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 12, No. 74, December, 1863: A Magazine of Literature, Art, and Politics
Various
American periodicals
Amid the mass of prosaic structures in London, what a grand exception to
the architectural monotony are her bridges! how effectually they have
promoted her suburban growth! Canova thought the Waterloo Bridge the
finest in Europe, and, by a strangely tragic coincidence, this noble and
costly structure is the favorite scene of suicidal despair, wherewith
the catastrophes of modern novels and the most pathetic of city lyrics
are indissolably associated. Westminster Bridge is as truly the Swiss
Laboyle's monument of architectural genius, fortitude, and patience, as
St. Paul's is that of Wren; and our own Remington's bridge-enthusiasm
involves a pathetic story. At Cordova, the bridge over the Guadalquivir
is a grand relic of Moorish supremacy. The oldest bridge in England is
that of Croyland in Lincolnshire; the largest crosses the Trent in
Staffordshire. Tom Paine designed a cast-iron bridge, but the
speculation failed, and the materials were subsequently used in the
beautiful bridge over the River Wear in Durham County. There is a
segment of a circle six hundred feet in diameter in Palmer's bridge
which spans our own Piscataqua. It is said that the first edifice of the
kind which the Romans built of stone was the Ponte Rotto, begun by the
Censor Fulvius and finished by Scipio Africanus and Lucius Mummius.
Popes Julius III. and Gregory XIV. repaired it; so that the fragment now
so valued as a picturesque ruin symbolizes both Imperial and
Ecclesiastical rule. In striking contrast with the reminiscences of
valor, hinted by ancient Roman bridges, are the ostentatious Papal
inscriptions which everywhere in the States of the Church, in elaborate
Latin, announce that this Pontiff built or that Pontiff repaired these
structures.
The mediaeval castle moat and drawbridge have, indeed, been transferred
from the actual world to that of fiction, history, and art, except where
preserved as memorials of antiquity; but the civil importance which from
the dawn of civilization attached to the bridge is as patent to-day as
when a Roman emperor, a feudal lord, or a monastic procession went forth
to celebrate or consecrate its advent or completion; in evidence
whereof, we have the appropriate function which made permanently
memorable the late visit of Victoria's son to her American realms, in
his inauguration of the magnificent bridge bearing her name, which is
thrown across the St. Lawrence for a distance of only sixty yards less
than two English miles,--the greatest tubular bridge in the world. When
Prince Albert, amid the cheers of a multitude and the grand cadence of
the national anthem, finished the Victoria Bridge by giving three blows
with a mallet to the last rivet in the central tube, he celebrated one
of the oldest, though vastly advanced, triumphs of the arts of peace,
which ally the rights of the people and the good of human society to the
representatives of law and polity.
Public-domain text, read in full here on John Shaqi.
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