The men and women mated for that time Tread not the soothing mosses of the plain; Their hands are joined in sacrifice sublime; Their feet firm set in upward paths of pain. Sleep your thick sleep, and go your drowsy way! You cannot hear the voices in the air! Ignoble souls will shrivel in that day: The brightness of its coming can you bear? For me, I do not walk these hills alone: Heroes who poured their blood out for the Truth, Women whose hearts bled, martyrs all unknown, Here catch the sunrise of immortal youth On their pale cheeks and consecrated brows! It charms me not,--your call to rest below: I press their hands, my lips pronounce their vows Take my life's silence for your answer: No! * * * * * EUGENE DELACROIX. The death of Eugene Delacroix cuts the last bond between the great artistic epoch which commenced with the Bellini and that which had its beginning with the nineteenth century, epochs as diverse in character as the Venice of 1400 and the Paris of 1800. In him died the last great painter whose art was moulded by the instincts and traditions that made Titian and Veronese, and the greatest artist whose eyes have opened on the, to him, uncongenial and freezing life of the nineteenth century. In our time we have a new ideal, a new and maybe a higher development of intellectual art, and as great a soul as Titian's might to-day reach farther towards the reconciled perfections of graphic art: but what he did no one can now do; the glory of that time has passed away,--its unreasoning faith, its wanton instinct, revelling in Art like children in the sunshine, and rejoicing in childlike perception of the pomp and glory which overlay creation, unconscious of effort, indifferent to science,--all gone with the fairies, the saints, the ecstatic visions which framed their poor lives in gold. Only, still reflecting the glory, as eastern mountains the sunken sun, came a few sympathetic souls kindling into like glow, with faint perception of what had passed from the whole world beside. Velasquez, Rubens, Rembrandt, Watteau, Reynolds, Gainsborough, Turner, and Delacroix, kept the line of color, now at last utterly extinguished. Now we reason, now we see facts; sentiment is out of joint, and appearances are known to be liars; we have found the greater substance; we kindle with the utilities, and worship with the aspiring spirit of a common humanity; we banish the saints from our souls and the gewgaws from our garments, and walk clothed and in our right minds in what we believe to be the noonday light of reason and science. We are humanitarian, enlightened. We begin to comprehend the great problems of human existence and development; our science touches the infinitely removed, and apprehends the mysteries of macrocosmic organism: but we have lost the art of painting; for, when Eugene