The Atlantic Monthly, Volume 13, No. 78, April, 1864: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 13, No. 78, April, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
Fouquet's physician, Pecquet, is well known to physiologists by his
treatise, "_De Motu Chyli_," and by "Pecquet's reservoir." His patron
was warmly interested in the new discoveries in circulation, which were
then, and so long after, violently opposed by the _Purgons_ and the
_Diafoirus_ of the old school. The Surintendant's judgment was equally
good in Art. Le Brun, the painter, owed fame and fortune to him. He gave
him twelve thousand livres a year, besides paying a fixed price for each
of his works. With the exception of Renaudot's journal, Loret's weekly
gazette, published in the shape of a versified letter to Mademoiselle de
Longueville, was the only newspaper in France. Fouquet furnished the
editor with money and with items. He allowed Scarron sixteen hundred
livres a year, when Mazarin struck his name from the pension-list, as
punishment for a "_Mazarinade_," the only squib of the kind the Cardinal
had ever noticed. Poor Scarron was hopelessly paralyzed, and bedridden.
He had been a comely, robust fellow in his youth, given to dissipated
courses. In a Carnival frolic, he appeared in the streets with two
companions in the character of bipeds with feathers,--a scanty addition
to Plato's definition of man. This airy costume was too much for French
modesty, proverbially shrinking and sensitive. The mob hooted and gave
chase. The maskers fled from the town and hid themselves in a marsh to
evade pursuit. The result of this venturesome _travestissement_ was the
death of both his friends, and an attack of inflammatory rheumatism
which twisted Scarron for life into the shape of the letter Z.
The Surintendant's _hotel_, at St. Mande, was a marvel of art, his
library the best in France. The number and value of his books was urged
against him, on his trial, as evidence of his peculations. His
country-seat, at Vaux, cost him eighteen millions of livres. Three
villages were bought and razed to enlarge the grounds. Le Vau built the
_chateau_. Le Brun painted the ceilings and panels. La Fontaine and
Michel Gervaise furnished French and Latin mottoes for the allegorical
designs. Le Notre laid out the gardens in the style which may still be
seen at Versailles. Torelli, an Italian engineer, decorated them with
artificial cascades and fountains, a wonder of science to Frenchmen in
the seventeenth century. Puget had collected the statues which
embellished them. There was a collection of wild animals, a rare
spectacle before the days of zoological gardens,--an aviary of foreign
birds,--tanks as large as ponds, in which, among other odd fish, swam a
sturgeon and a salmon taken in the Seine. Everything was magnificent,
and everything was new,--so original and so perfect, that Louis XIV.,
after he had crushed the Surintendant, could find no plans so good and
no artists so skilful as these _pour embellir son regne_. He was obliged
to imitate the man he hated. Even Fouquet's men of letters were soon
enrolled in the service of the King.
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