The Atlantic Monthly, Volume 13, No. 78, April, 1864: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 13, No. 78, April, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
The peculiar qualities of General Grant, as seen in these battles, are
coolness, readiness, and confidence. He is not embarrassed by reverses.
He seems the rather to court them. He prefers to take arms against a sea
of troubles. He thinks little of rations, ambulances, Sanitary, and, we
fear, Christian Commissions, but much of victory. These creature and
spiritual comforts are all well enough in their place, but they do not
take batteries and redoubts. McClellan is the pet of his soldiers, Grant
the pride of his. McClellan cares for their bodies, Grant for their
fame. McClellan kills by kindness, Grant by courage.
This battle-book for boys will hold no unimportant place in the
war-library of the times. Its style is usually as limpid as the
camp-brooks by which much of it was written. In the heat of the contest
it becomes a succession of short, sharp sentences, as if the musketry
rang in the writer's brain and moulded and winged his thoughts. It is
calm in the midst of its intensity, and thus happily illustrates by its
popularity that self-control of the nation so well expressed by
Hawthorne,--that our movements are as cool and collected, if as noisy,
as that of a thousand gentlemen in a hall quietly rising at the same
moment from their chairs. The battle-grounds of Vicksburg,
Fredericksburg, Gettysburg, and Chattanooga, all of which he saw, or by
subsequent study of the field has made his own, and descriptions of
which are promised in a companion-volume, will find no truer nor
worthier chronicler.
_A Compendious History of English Literature, and of the English
Language, from the Norman Conquest. With Numerous Specimens._ By GEORGE
L. CRAIK, LL.D., Professor of History and of English Literature in
Queen's College, Belfast. 2 vols. 8vo. New York: Charles Scribner.
Public-domain text, read in full here on John Shaqi.
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