The Atlantic Monthly, Volume 13, No. 79, May, 1864: A Magazine of Literature, Art, and PoliticsVarious
Religion
The Atlantic Monthly, Volume 13, No. 79, May, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
The style of Mr. Gillett is clear, manly, and discriminating. If, in
respect of show, sparkle, nervous energy, verbal felicity, and
picturesqueness, it is not equal to that of our chief American
historians, yet it is not deficient in ease, grace, or vigor. He is
almost always careful, always unambitious, always in good taste. To
complain that the style is not equal to Mr. Motley's, simply on the
ground that the book is large and the subject historical, is grossly
unfair. Mr. Gillett has not been eager for a place as a writer; his
story has more merit in the thing told than in the telling. Even with
his want of German he has been thorough in the investigation of
authorities; and if he writes without enthusiasm, his judgment carries
the greater weight. As a scholar and an historian, as a man of candor
and resources, his name is an ornament to the Presbyterian ministry, of
which he is a member.
And yet the life of Huss is not adapted to produce popular effect, to
show to striking advantage the charm of elaborate style, or to lift the
hero himself into that upper light where his commonest deeds are
dazzling and fascinating. He had not the acumen, the weight, the
learning, the logical irresistibleness of Calvin; nor had he the great
human sympathies, the touch of earthiness, yet not grossness, which made
Luther so dear to his countrymen, and which have imprinted a cordial
geniality on the whole Lutheran Church. John Huss, though a man of
learning, the Rector of a great and powerful University, though a true
friend, though a man of wide sympathies, though an eloquent preacher,
and a most formidable enemy to the corruptions of the Romish Church, was
yet a colorless character in comparison with some men who have become
the objects of hero-worship. There are few of those grand bursts which
will always justify Luther's reputation, nothing of that rich poetical
vein of Luther's, finding its twofold course in music and in poetry:
Huss was comparatively dry, and unenriched by those overflowings of a
deep inner nature. He is, therefore, rather the exponent of an age than
a brilliant mark,--rather a type than a great, restless, creative power.
His life was almost too saintly to be interesting in the popular sense;
and although he does emerge above his age, yet it is not as the advocate
of an idea, as Luther was, nor of a great system, as Calvin was, nor as
a man fearless of kings and queens, as Knox was; his life, rather, was a
continued protest against sin in the high places of the Church. Though
in him there appear glimpses of a clearer doctrine than that of his age,
yet they do not come to a full expression; it is the pride of pontiffs,
the debaucheries of priests, the grasp after place and power and wealth
by those who claim to follow the meek and holy One, which provoke his
fiercest invective.
Public-domain text, read in full here on John Shaqi.
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