My business, however, is less with the Olympic Theatre, as it at present exists, than with its immediate predecessor. About fifteen years ago, there stood in Wych Street a queer, low-browed little building with a rough wooden portico before it,--not unlike such a portico as I have recently seen in front of a dilapidated inn at Culpepper, Virginia,--and with little blinking windows, very much resembling the port-holes of a man-of-war. According to tradition, the place had, indeed, a kind of naval origin. Old King George III., who, when he was not mad, or meddling with politics, was really a good-natured kind of man, once made Philip Astley, the riding-master, and proprietor of the circus in South Lambeth, a present of a dismantled seventy-four gun-ship captured from the French. With these timbers, some lath and plaster, a few bricks, and a little money, Astley ran up a theatre dedicated to the performance of interludes and _burlettas_,--that is, of pieces in which the dialogue was not spoken, but sung, in order to avoid interference with the patent-rights of Drury Lane and Covent Garden. In our days, this edifice was known as the Olympic. When I knew this theatre first, it had fallen into a state of seemingly hopeless decadence. Nobody succeeded there. To lease the Olympic Theatre was to court bankruptcy and invite collapse. The charming Vestris had been its tenant for a while. There Liston and Wrench had delighted the town with their most excellent fooling. There many of Planche's most sparkling burlesques had been produced. There a perfect boudoir of a green-room had been fitted up by Bartolozzi's beautiful and witty daughter; and there Hook and Jerrold, Haynes Bayley and A' Beckett had uttered their wittiest sayings. But the destiny of the Olympic was indomitable. There was nae luck about the house; and Eliza Vestris went bankrupt at last. Management after management tried its fortunes in the doomed little house, but without success. Desperate adventurers seized upon it as a last resource, or chose it as a place wherein to consummate their ruin. The Olympic was contiguous to the Insolvent Debtors' Court, in Portugal Street, and from the paint-pots of the Olympic scene-room to the whitewash of the commercial tribunal there was but one step.