The Atlantic Monthly, Volume 14, No. 81, July, 1864: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 14, No. 81, July, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
I am unwilling to weary my readers by dwelling upon appearances
identical with those already described; but I may state, for the
guidance of those who wish to investigate these traces for themselves,
that any recently uncovered ledge of rock in our neighborhood, the
surface of which has not been altered by atmospheric agencies, presents
the glacier-worn surfaces with the characteristic _striae_ and furrows.
These marks may be traced everywhere, even to the sea-shore, not only
down to the water's edge, but beneath it, where-ever the harder rocks
have resisted the action of the tides and retain their original
character. In our granitic regions intersected by innumerable trap
dikes, as, for instance, at Nahant, the smooth surface of many of the
rocks, where sienite and trap have been evenly levelled, shows that the
same inexorable saw, cutting alike through hard and soft materials, has
passed over them. In the hills of pudding-stone in the neighborhood of
Roxbury, we have quartz pebbles cut down to the same level with the
softer paste in which they lie imbedded with pebbles of sandstone,
clay-slate, gneiss, and limestone. In the limestone regions of Western
New York and Northern Ohio, about the neighborhood of Buffalo and
Cleveland, the flat surfaces of the limestone are most uniformly
polished, furrowed, and scratched, the furrows often exhibiting that
_staccato_ grating action described in a former article. I have observed
the same traces in the vicinity of Milwaukee and Iowa City, and we know,
from the accounts given by Arctic travellers of their overland
expeditions, that these peculiar appearances of the surface are
characteristic of the rocks in those regions, wherever they are not
disintegrating under the influence of the present atmospheric agents.
Public-domain text, read in full here on John Shaqi.
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