The Atlantic Monthly, Volume 14, No. 84, October, 1864: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 14, No. 84, October, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
In the repetition in the last line one can almost hear the sob welling
up from the heart of the strong sailor, as he speaks of God to one
beloved, in time of trial,--the feeling of bitterness in parting
starting with the impulse of the stronger faith.
In "Enoch Arden," as in "In Memoriam," Tennyson shows the sweet and sure
sympathy which informs him of all the ways of grief. In its sacred
experiences, where the slightest variance from the simplicity of actual
feeling would jostle all, he holds his way unquestioned.
It is a test, unembarrassed and complete, of genius, this treatment of
grief, the emotion which least of all brooks exaggeration or
sentimentalism. It is the test of human purity, too, and the hand must
be very tender and very clean which leaves thus exact and clear the
picture of the crowning phase of human life. If "In Memoriam" has
appropriated to itself, by its sublime supremacy, a phrase which, though
in daily use, is never heard without suggesting the poem, Tennyson shows
in "Enoch Arden" that he understands the sad and perfect reign of grief
in the life of the sailor and of the sailor's wife struck with a great
sorrow for the loss of the latest born, as well as in the broad and
varied range of his own cultured nature.
Coupled with the knowledge of grief is this of prayer,--"that mystery
when God in man is one with man-in-God,"--which is said when Enoch had
resolved to surrender his Annie rather than to break in upon her
happiness:--
"His resolve
Upbore him, and firm faith, and evermore
Prayer, from a living source within the will,
And beating up through all the bitter world,
Like fountains of sweet water in the sea,
Kept him a living soul."
And so we close the poem, which touches us again more than we deemed
possible, till each renewal of the reading stirs again the depths of
passionate sympathy. A pure manhood among the poets, a heart simple as
the simplest, an imperial fancy, whose lofty supremacy none can
question, a high faith, and a spirit possessed with the sublimest and
most universal of Christ's truths, a tender and strong humanity, not
bounded by a vague and misty sentiment, but pervading life in all its
forms, and with these great skill and patience and beauty in
expression,--these are the riper qualities to which "Enoch Arden"
testifies. They are qualities whose attainment and retention are
singularly rare, and whose value we cannot easily overrate.
And thus much having been said of "Enoch Arden," we find no space for
consideration of the other poems contained in the new volume. "Aylmer's
Field" is in some respects, perhaps, more remarkable than the poem which
precedes it, since the poet never loses sight of England, in its course,
nor the old familiar scenes, but tugs at the fetid roots of shallow
aristocracy with the relentless clutch of one of God's noblemen laboring
for the right.
Public-domain text, read in full here on John Shaqi.
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