The Atlantic Monthly, Volume 14, No. 84, October, 1864: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 14, No. 84, October, 1864: A Magazine of Literature, Art, and Politics
Various
American periodicals
It was at a _fete_ given by Lucien that Madame Recamier had her first
and only interview with the First Consul. On entering the drawing-room,
she mistook him for his brother Joseph, and bowed to him. He returned
her salutation with _empressement_ mingled with surprise. Looking at her
closely, he spoke to Fouche, who leaned over her chair and whispered,
"The First Consul finds you charming." When Lucien approached, Napoleon,
who was no stranger to his brother's passion, said aloud, "And I, too,
would like to go to Clichy!" When dinner was announced, he rose and left
the room alone, without offering his arm to any lady. As Madame Recamier
passed out, Eliza (Madame Bacciocchi), who did the honors in the absence
of Madame Lucien, who was indisposed, requested her to take the seat
next to the First Consul. Madame Recamier did not understand her, and
seated herself at a little distance, and on Cambaceres, the Second
Consul, occupying the seat by her side, Napoleon exclaimed, "_Ah, ah,
citoyen consul, aupres de la plus belle_!" He ate very little and very
fast, and at the end of half an hour left the table abruptly, and
returned to the drawing-room. He afterward asked Madame Recamier why she
had not sat next to him at dinner. "I should not have presumed," she
said. "It was your place," he replied; and his sister added, "That was
what I said to you before dinner." A concert following, Napoleon stood
alone by the piano, but, not fancying the instrumental part of the
performance, at the end of a piece by Jadin, he struck on the piano and
cried, "Garat! Garat!" who then sang a scene from "Orpheus." Music
always profoundly moved Madame Recamier, but whenever she raised her
eyes she found those of the Consul fixed upon her with so much intensity
that she became uncomfortable. After the concert, he came to her and
said, "You are very fond of music, Madame," and would probably have
continued the conversation, had not Lucien interrupted. Madame Recamier
confessed that she was prepossessed by Napoleon at this interview. She
was evidently gratified by his attentions, scanty and slight as they
seem to us. Indeed, his whole conduct during the dinner and concert was
decidedly discourteous, if not positively rude. Madame Lenormant
attributes Napoleon's subsequent attempt to attach Madame Recamier to
his court to the strong impression she made upon him at this interview,
and gives Fouche as her authority. Still, if this were the case, it is
rather strange that Napoleon did not follow up the acquaintance more
speedily. It was not until five years afterwards that he made the
overtures to which Madame Lenormant refers,--and then Madame Recamier
had long been in the ranks of the Opposition. It was Napoleon's policy
to conciliate, if possible, his political opponents. He had succeeded in
gaining over Bernadotte, of whose intrigues against him Madame Recamier
had been the _confidante_, and he concluded that she also could be as
easily won.
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