The Atlantic Monthly, Volume 15, No. 87, January, 1865: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 15, No. 87, January, 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
continue to dine at Very's; but Englishmen no longer get tipsy there, no
longer smash the plates or kick the waiters. In lieu of dusky
billiard-rooms, the resort of duskier sharpers, there are magnificent
saloons, containing five, ten, and sometimes twenty billiard-tables. The
_Galeries de Bois_ have been knocked to pieces these thirty years. The
public gaming-houses have been shut up. There are no longer any brutal
dog-and-bear-baitings at the Barriere du Combat. There is no longer a
_Belle Limonadiere_ at the Cafe des Mille Colonnes. _Belles
Limonadieres_ (if I may be permitted to use one of the most inelegant,
but the most expressive, of American colloquialisms) are "played out."
The Catacombs have long since been shut to strangers. The _Caveau_
exists no more. Old reprobates scarcely remember the _Cafe d'Enfer_. The
_Fete_ of St. Louis is as dead as Louis XVIII., as dead as the _Fetes_
of July, as the _Fetes_ of the Republic. There is but one national
festival now,--and that is on the 15th of August, and in honor of St.
Napoleon. There are no more "glims" to smash; the old oil _reverberes_
have been replaced by showy gas-lamps, and the _sergents de ville_ would
make short work of any roisterers who attempted to take liberties with
them. The old Paris of the Restoration and the Monarchy is dead; but the
Thane of Cawdor--I mean George Cruikshank--lives, a prosperous
gentleman.
I brought the book away with me from Mexico, all the way down to Vera
Cruz, and so on to Cuba, and thence to New York; and it is in Boston
with me now. But it is not mine. The Don did not even lend it to me. I
had only his permission to take it from the library to my room, and turn
it over there; but when I was coming away, that same body-servant,
thinking it was my property, carefully packed it among the clothes in my
portmanteau; and I did not discover his mistake and my temporary gain
until I was off. I mention this in all candor; for I am conscious that
there never was a book-collector yet who did not, at some period or
other of his life, at least meditate the commission of a felony. But the
Don is coming to the States this autumn, and I must show him that I have
not been a fraudulent bailee. I shall have taken, at all events, my fill
of pleasure from the book; and I hope that George Cruikshank will live
to read what I have written; and God bless his honest old heart,
anyhow!
FOOTNOTES:
[C] Aquatint engraving in England is all but a dead art. It is now
employed only in portraits of race-horses, which are never sold
uncolored, and in plates of the fashions. The present writer had the
honor, twelve years since, of producing the last "great" work (so far as
size was concerned) undertaken in England. It was a monster panorama,
some sixty feet long, representing the funeral procession of the Duke of
Wellington. It was published by the well-known house of Ackermann, in
the Strand; and the writer regrets to say that the house went bankrupt
very shortly afterwards.
Public-domain text, read in full here on John Shaqi.
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