The Atlantic Monthly, Volume 15, No. 88, February, 1865: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 15, No. 88, February, 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
All who had the honor of the poet's friendship or acquaintance speak of
the marvellous gift which gave to this illustrious man almost a
character of inspiration. The wonderful eloquence of his conversation
can be comprehended only by those who have heard him speak. It was
sparkling at times, and at times profound; but the melody of his voice,
the impressive solemnity of his manner, the radiant glories of his
intellectual countenance, bore off, as it were, the thoughts of the
listener from his discourse; and it was rarely that he carried away from
the poet any of the gems that fell from his lips.
Montgomery describes the poetry of Coleridge as like electricity,
"flashing at rapid intervals with the utmost intensity of effect,"--and
contrasts it with that of Wordsworth, like galvanism, "not less
powerful, but rather continuous than sudden in its wonderful influence."
But of his poems it is needless for me to speak; some of them are
familiar to all readers of the English tongue throughout the world.
Wilson, in the "Noctes," says, "Wind him up, and away he
goes,--discoursing most excellent music, without a discord, full, ample,
inexhaustible, serious, and divine"; and in another place, "He becomes
inspired by his own silver voice, and pours out wisdom like a sea."
Wordsworth speaks of him "as quite an epicure in sound." The painter
Haydon speaks of his eloquence and "lazy luxury of poetical outpouring";
and Rogers ("Table-Talk") is reported to have said, "One morning,
breakfasting with me, he talked for three hours without intermission, so
admirably that I wish every word he uttered had been written down": but
he does not quote a single sentence of all the poet said;[G] and a
writer in the "Quarterly Review" expresses his belief that "nothing is
too high for the grasp of his conversation, nothing too low: it glanced
from earth to heaven, from heaven to earth, with a speed and a splendor,
an ease and a power, that almost seemed inspired." (Nor did I ever find
him incoherent, as some have pretended; but I agree with De Quincey,
that he had the largest and most spacious intellect, the subtilest and
the most comprehensive that has yet existed among men.) Of Coleridge,
Shelley writes,--
"All things he seemed to understand,
Of old or new, at sea or land,
Save his own soul, which was a mist."
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