His love for Coleridge was devoted, a mingling of admiration, affection, and respect. They were made acquainted by a mutual friend, Basil Montagu, who himself occupied no humble station in intellectual society. His "evenings" were often rare mental treats. He presented the most refined picture of a gentleman, tall, slight, courteous, seemingly ever smiling, yet without an approach to insincerity. He had the esteem of his contemporaries, and the homage of the finer spirits of his time. They were earned and merited. Those who knew him knew also his wife. Mrs. Montagu was one of the most admirable women I have ever known: she was likened to Mrs. Siddons, and forcibly recalled the portraits of that admirably gifted woman. Tall and stately, and with evidence, which Time had by no means obliterated, of great beauty in youth, her expression somewhat severe, yet gracious in manner and generous in words. She had been the honored associate of many of the most intellectual men and women of the age; and not a few of them were her familiar friends.[J] Whenever it was my privilege to be admitted to the evening meetings at Highgate, I met some of the men who were then famous, and have since become parts of the literature of England. I attended one of the lectures delivered by Coleridge at the Royal Institution, and I strive to recall him as he stood before his audience. There was but little animation; his theme did not seem to stir him into life; even the usual repose of his countenance was rarely broken up; he used little or no action; and his voice, though mellifluous, was monotonous: he lacked, indeed, that earnestness without which no man is truly eloquent. At the time I speak of, he was growing corpulent and heavy: being seldom free from pain, he moved apparently with difficulty, yet liked to walk up and down and about the room as he talked, pausing now and then as if oppressed by suffering. I need not say that I was a silent listener during the evenings at Highgate to which I have referred, when there were present some of those who now "rule us from their urns"; but I was free to gaze on the venerable man,--one of the humblest, but one of the most fervid, perhaps, of the worshippers by whom he was surrounded,--and to treasure in memory the poet's gracious and loving looks, the "thick, waving, silver hair," the still, clear, blue eye; and on such occasions I used to leave him as if I were in a waking dream, trying to recall, here and there, a sentence of the many weighty and mellifluous sentences I had heard,--seldom with success,--and feeling at the moment as if I had been surfeited with honey. The portrait of Coleridge is best drawn by his friend Wordsworth, and it sufficiently pictures him:--