The Atlantic Monthly, Volume 15, No. 89, March, 1865: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 15, No. 89, March, 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
Hence I went cheerfully to learn the art of operating a sewing-machine,
in which I soon became so expert as to prove a profitable pupil. There
were from a dozen to twenty learners beside myself, some few of whom
were educated and agreeable girls, the daughters of families moving in
genteel circles, who had come there with a sensible ambition to acquire
a thorough knowledge of the art. With these I formed a very pleasant
acquaintance, so that my apprenticeship of a few weeks, instead of being
a dull and lifeless probation, calculated to depress my spirits, was
really an agreeable episode in my quiet career, cheering by its new
associations, and invigorating by reason of the unmistakable evidences
occurring almost daily that a sewing-girl was probably the last machine
whose labor was to become obsolete.
The fame of these schools for female operatives went all over the
country, and attracted crowds of visitors. Some of these were fine
ladies of superficial minds, who came from mere curiosity, so as to be
able to say that they had seen a sewing-machine. I was often struck with
the shallow, unmeaning questions which these butterflies of fashion
propounded to us. Some of them made the supercilious, but disreputable
boast, that they had never taken a stitch in the whole course of their
lives. But the great throng of inquirers consisted of women who had
families dependent on their needles, and of young girls like myself,
obliged also to depend upon the labor of their fingers. All such were
deeply interested in the new art, and their inquiries were practical and
to the point. They expressed the same astonishment, on seeing the
rapidity with which the machine performed its work, that I had felt when
first beholding it.
With so great a throng continually around us, asking questions, stopping
the machines to examine the sewing, and begging for scraps with a row of
stitches made in them, which they might take away to inspect at leisure,
as well as to exhibit to others, there were days when the pupils were
able to produce only a very small amount of work. But we soon discovered
that this deficiency made but little difference to our teacher. The
school was in reality a mere show-shop, a place of exhibition
established by the machine-makers, in which to display and advertise
their wares more thoroughly to the public. We pupils were the
unconscious mouthpieces of the manufacturers. We paid the teacher for
the privilege of learning to work the machines, and the manufacturers
paid her a commission for all that she disposed of. Between the two sets
of contributors to her purse she must have done a profitable business.
She was at no expense except for rent, as the manufacturers loaned her
the machines, while we did all the work. She had more orders for the
latter than we could get through with, as the demand from the tailors
was so urgent as to show very plainly that the great proportion of all
the future sewing was to be done by the machine instead of by hand.
Public-domain text, read in full here on John Shaqi.
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