The Atlantic Monthly, Volume 15, No. 92, June, 1865: A Magazine of Literature, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 15, No. 92, June, 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
In the summer of 1862, I was brought again to Harper's Ferry, with my
regiment, and the old familiar scenes were carefully revisited. The
terrible destruction of fine public buildings, the wanton waste of
private property, the deserted village instead of the thriving town, the
utter ruin and wretchedness of the country all about, and the bleak
waste of land from Harper's Ferry to Charlestown, are all set features
in every picture of the war in Virginia. At my old head-quarters in
Charlestown jail there was less change than I had expected; its sturdy
walls had withstood attack and defence better than the newer and more
showy structures; the few inhabitants left behind after the ebb and flow
of so many army waves, Rebel and Union succeeding each other at pretty
regular intervals, were the well-to-do of former days, looking after
their household gods, sadly battered and the worse for wear, but still
cherished very dearly. Of my old acquaintances, it was a melancholy
pleasure to learn that Colonel Baylor, who was mainly anxious to have me
hanged, had in this war been reduced to the ranks for cowardice, and
then was shot in the act of desertion. Kennedy was still living at home,
but his brother was in the Rebel service. The lesser people were all
scattered; the better class of workmen had gone to Springfield or to
private gun-shops in the North,--the poorer sort, either into the Rebel
army or to some other dim distance, and all trace of them was lost.
The thousands who have come and gone through Harper's Ferry and past
Bolivar Heights will recall the waste and desolation of what was once a
blooming garden-spot, full of thrift and industry and comfort almost
unknown elsewhere south of the fatal slave-line; thousands who are yet
to pass that way will see in the ruins of the place traces of the
avenging spirit that has marked forever the scene of _John Brown's
Raid_.
SCHUMANN'S QUINTETTE IN E FLAT MAJOR.
It was near sundown when we reached the sea-side hotel. By the time we
were settled in our apartment, and I had my invalid undressed and in
bed, the soft, long summer twilight was nearly over. The maid, having
cleared away the litter of unpacking, was sitting in the anteroom, near
enough to be within call. The poor suffering body that held so lightly
the half-escaped spirit lay on the bed, exhausted with the journey, but
feeling already soothed by the pleasant sea-breeze which sighed gently
in at the open window.
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