Rose Elderkin was a year younger than the French stranger, and a marvellously fair type of New England girl-beauty: light brown hair in unwieldy masses; skin wonderfully clear and transparent, and that flushed at a rebuke, or a run down the village street, till her cheeks blazed with scarlet; a lip delicately thin, but blood-red, and exquisitely cut; a great hazel eye, that in her moments of glee, or any occasional excitement, fairly danced and sparkled with a kind of insane merriment, and at other times took on a demure and pensive look, which to future wooers might possibly prove the more dangerous of the two. The features named make up a captivating girlish beauty, but one which, under a New England atmosphere, is rarely carried forward into womanhood. The lips grow pinched and bloodless; the skin blanched against all proof of blushes; the eyes sunken, and the blithe sparkle that was so full of infectious joy is lost forever in that exhausting blaze of girlhood. But we make no prophecy in regard to the future of our little friend Rose. Adele thinks her very charming; Reuben is disposed to rank her--whatever Phil may think or say--far above Suke Boody. And in his reading of the delightful "Children of the Abbey," which he has stolen, (by favor of Phil, who owns the book,) he has thought of Rose when Amanda first appeared; and when the divine Amanda is in tears, he has thought of Rose; and when Amanda smiles, with Mortimer kneeling at her feet, he has still thought of Rose.