The Atlantic Monthly, Volume 16, No. 95, September 1865: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 16, No. 95, September 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
shown by the immediate agents of the first great revolution in English
Art. It follows that some account of Mr. Hamerton's writings is called
for, and will be welcomed. He is at once able, useful, and
representative of the latest tendencies of Art criticism.
Mr. Hamerton's first volume, entitled "A Painter's Camp in the
Highlands," we regret to say, is not a felicitous introduction to the
valuable "Thoughts about Art," which give the title to the second. It is
unpleasantly inlaid with egotism and enamelled with self-consciousness.
Mr. Hamerton's critics cannot withhold attention from so prominent a
feature of his book. The obtrusiveness of his personality invites
attention. He seems not to have learned the art of existing fully in his
work, without dreaming to speak of himself. True, any account of a
painter's camp necessarily solicits much consideration of its occupant;
but it does not follow that we should be bored with trivial details, and
anecdotes simply flattering to the personal appearance of the painter.
If Mr. Hamerton proposed to write a book of gossip, if he were ambitious
of the honors of a Montaigne, he might tell us how he ties his
shoe-strings and how he shapes his moustache; but since we know that Mr.
Hamerton is a cultivated gentleman and serious student, we regret that
he exposes himself to the charge of being an English snob. Our simple
American Thoreau was endowed with better taste; for, though he wrote a
very detailed account of his hermit-life on the shore of Walden Pond,
his book is entirely free from vulgarity. Thoreau knew how to elevate
the trivial and confer dignity on the meanest. But Mr. Hamerton, hearty,
healthful, self-reliant Englishman that he is, contrives to let us know
that he is also a very elegant fellow even in camp. The personality
revealed in Mr. Hamerton's "Painter's Camp" is very English; and when we
have said this, we have said all. But let no one be deterred from making
the acquaintance of Mr. Hamerton even in his "Painter's Camp"; for he is
young, he is hearty, he is interesting, and he is manly.
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