The Atlantic Monthly, Volume 16, No. 95, September 1865: A Magazine of Literature, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 16, No. 95, September 1865: A Magazine of Literature, Art, and Politics
Various
American periodicals
Mr. Forsyth aims to give his readers some account of Cicero's private
and domestic life, and in this respect his book has a positive
superiority to Middleton's. It is agreeable to read of the _vie privée_
of great men, and it is especially so in the case of such a man as
Cicero, who belonged to a people long since extinct, and who was himself
"the bright, consummate flower" of a civilization which exists only in
books, or in monuments, or in ruins,--a civilization of which it has
wisely been said, that it is the better for the world that it can never
know it again, "for it was rotten at the core, though most glorious in
the complexion." But, when all has been said of Cicero's private life
that can be said of it, we find ourselves going back to Cicero the
statesman, the orator, and the actor in some of the mightiest movements
that ever have shaken the world, and which continue to color our own
private lives at the end of almost two thousand years. If you would
write a book on Roman life and society, as such things were in the last
century of the Republic, Catulus, or any other member of the class of
_optimates_, would serve your purpose as well as Cicero. Men of the same
station live very much alike as to essentials. But no Roman can be named
who matches Cicero in some most important respects as a public man,--as
consul, as proconsul, as orator, as philosopher, as statesman, and as
mere politician. His history, therefore, is the history of Rome through
many eventful years; and when he is murdered, we feel that the curtain
really has dropped because the great Republican drama is at an end. That
sad scene is the last scene of the fifth act of a tragedy that had been
in course of performance through five centuries. We cannot separate such
a man from his times. His private life is as nothing in comparison with
his public life. Private life belongs to comedy, and Cicero's history is
a tragedy, from first to last; and in reading any biography of him that
is prepared, we feel that we are reading Roman history,--and that is
written only in blood.
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