The Atlantic Monthly, Volume 17, No. 100, February, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 17, No. 100, February, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
But the true power and pathos of the book rise ever high and higher, and
all minor defects are flooded out of sight. It is no small happiness
that we have to do from the beginning with a family hitherto wellnigh
unknown in American noveldom,--a family rich and not vulgar, beautiful
and not frivolous, highly educated and fastidious, yet neither bitter
nor disdainful,--refined, honorable, serene, affectionate. We are not
merely told that they are so. We mingle with them, we see it for
ourselves, and are refreshed and revived thereby. It is pleasant to miss
for once the worldly mother, the empty daughter, the glare and glitter
of shoddy, the low rivalry, the degrading strife, which can hardly be
held up even to our reprobation without debasing us. Whether or not the
best mode of inculcating virtue is that which gives us an example to
imitate rather than a vice to shun, we are sure it is the most
agreeable. It is infinitely sweeter to be attracted by the fragrance of
Paradise than to be repelled by the sulphurous fumes of Pandemonium. The
contemplation of such a home as this book opens to us is pleasant to the
eyes and good for the heart's food, and to be desired to make one wise.
A pure domestic love shines through it, tender, tranquil, and intense.
Its inmates are daintily, delicately, yet distinctly drawn. They are
courteous without being cold, playful without rudeness, serious, yet
sensible, reticent or demonstrative as the case may be, yet in all
things natural. It is not book, it is life. Each is a type of character
matchless in its way, but each is also a living soul, whose outward
elegance and grace are but the fit adjuncts of its inward purity and
peace. Even if such a home never existed, we should still defend its
portrayal, as the Vicar of Wakefield wrote his wife's epitaph during her
life that she might have a chance to become worthy of its praise.
It is a happiness also to make the acquaintance of women who are
brilliant and not bad, whose innocence does not run into insipidity, who
are no less queens than vassals, worthily the one, royally the other. We
meet in books many single-women, but they are usually embittered by
disappointment or by hope deferred,--angular, envious, busybodies in
other women's matters; or they are comically odd, self-ridiculing, and
unrestful; or, worst of all, they have become morally attenuated by a
thwarted love or a long course of dismal and absurd self-sacrifice and
are so resigned, colorless, and impassive, that, like Naaman, we are
tempted to go away in a rage. But where shall we find another
Clara,--beautiful, attractive, radiant, serenely living her happy life,
"aimless," but not "anxious," doing every day the duty that lies next
her hand, scarcely knowing that it is duty, never fancying that she is
out of her sphere or thinking whether she is in it, tranced in tranquil
reveries that spiritualize instead of spoiling her, and, shining ever
along her untroubled way,
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