"A dark shade of green being chosen as the ground-tone of a dress, the whole costume may, in like manner, be worked up through lighter and brighter shades of green, in which rose-colored flowers may appear with the same impression of simple appropriateness that is made by the pink blossom over the green leaves of a rose. There have been times in France when the study of color produced artistic effects in costume worthy of attention, and resulted in styles of dress of real beauty. But the present corrupted state of morals there has introduced a corrupt taste in dress; and it is worthy of thought that the decline of moral purity in society is often marked by the deterioration of the sense of artistic beauty. Corrupt and dissipated social epochs produce corrupt styles of architecture and corrupt styles of drawing and painting, as might easily be illustrated by the history of art. When the leaders of society have blunted their finer perceptions by dissipation and immorality, they are incapable of feeling the beauties which come from delicate concords and truly artistic combinations. They verge towards barbarism, and require things that are strange, odd, dazzling, and peculiar to captivate their jaded senses. Such we take to be the condition of Parisian society now. The tone of it is given by women who are essentially impudent and vulgar, who override and overrule, by the mere brute force of opulence and luxury, women of finer natures and moral tone. The court of France is a court of adventurers, of _parvenus_; and the palaces, the toilets, the equipage, the entertainments, of the mistresses outshine those of the lawful wives. Hence comes a style of dress which is in itself vulgar, ostentatious, pretentious, without simplicity, without unity, seeking to dazzle by strange combinations and daring contrasts. "Now, when the fashions emanating from such a state of society come to our country, where it has been too much the habit to put on and wear, without dispute and without inquiry, any or everything that France sends, the results produced are often things to make one wonder. A respectable man, sitting quietly in church or other public assembly, may be pardoned sometimes for indulging a silent sense of the ridiculous in the contemplation of the forest of bonnets which surround him, as he humbly asks himself the question, Were these meant to cover the head, to defend it, or to ornament it? and if they are intended for any of these purposes, how?