The Atlantic Monthly, Volume 17, No. 104, June, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
General
The Atlantic Monthly, Volume 17, No. 104, June, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
The original tower of Babel having been for some time discontinued, and
most of our local legislatures having adjourned, the nearest approach to
a confusion of tongues is perhaps now to be found in an ordinary game of
croquet. Out of eight youths and maidens caught for that performance at
a picnic, four have usually learned the rules from four different
manuals, and can agree on nothing; while the rest have never learned any
rules at all, and cannot even distinctly agree to disagree. With
tolerably firm wills and moderately shrill voices, it is possible for
such a party to exhibit a very pretty war of words before even a single
blow is struck. For supposing that there is an hour of daylight for the
game, they can easily spend fifteen minutes in debating whether the
starting-point should be taken a mallet's length from the stake,
according to Reid, or only twelve inches, according to Routledge.
More than twenty manuals of croquet have been published in England, it
is said, and some five or six in America. Of the four authorities named
above, each has some representative value for American players. Mayne
Reid was the pioneer, Routledge is the most compact and seductive,
Fellow the most popular and the poorest, and "Newport" the newest and by
far the best. And among them all it is possible to find authority for
and against almost every possible procedure.
The first point of grave divergence is one that occurs at the very
outset of the game. "Do you play with or without the roquet-croquet?"
has now come to be the first point of mutual solicitude in a mixed
party. It may not seem a momentous affair whether the privilege of
striking one's own ball and the adversary's without holding the former
beneath the foot, should be extended to all players or limited to the
"rover"; but it makes an immense difference in both the duration and the
difficulty of the game. By skilfully using this right, every player may
change the position of every ball, during each tour of play. It is a
formidable privilege, and accordingly Reid and "Newport" both forbid it
to all but the "rover," and Routledge denies it even to him; while
Fellow alone pleads for universal indulgence. It seems a pity to side
with one poor authority against three good ones, but there is no doubt
that the present tendency of the best players is to cultivate the
roquet-croquet more and more; and after employing it, one is as
unwilling to give it up, as a good billiard-player would be to revert
from the cue to the mace. The very fact, however, that this privilege
multiplies so enormously the advantages of skill is perhaps a good
reason for avoiding it in a mixed party of novices and experts, where
the object is rather to equalize abilities. It should also be avoided
where the croquet-ground is small, as is apt to be the case in our
community,--because in such narrow quarters a good player can often hit
every other ball during each tour of play, even without this added
advantage.
Public-domain text, read in full here on John Shaqi.
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