During another drive he stopped the horses at the corner of a dirty little old street, and, getting out of the carriage, hurriedly disappeared round a corner, leaving us without explanation and consequently in amazement. We had not long to wait, however, as he soon appeared carrying a large roll of canvas. "There!" he exclaimed, as he again seated himself, "I've made a capital bargain. I've long wanted these paintings, but the man asked more than I could give. To-day he relented. They are very clever, and I shall have them framed." Alas! they were not clever, and Landor in his last days had queer notions concerning art. That he was excessively fond of pictures is undoubtedly true; he surrounded himself with them, but there was far more quantity than quality about them. He frequently attributed very bad paintings to very good masters; and it by no means followed because he called a battle-piece a "Salvator Rosa," that it was painted by Salvator. But the old man was tenacious of his art opinions, and it was unwise to argue the point. * * * * * The notes which I possess in Landor's handwriting are numerous, but they are of too personal a character to interest the public. Sometimes he signs himself "The Old Creature," at another, "The Restless Old Man," and once, "Your Beardless Old Friend." This was after the painting of his portrait, when he had himself shorn of half his patriarchal grandeur. The day previous to the fatal deed, he entered our room saying, "I've just made an arrangement with my barber to shear me to-morrow. I must have a clean face during the summer." "I wish you had somewhat of the Oriental reverence for beards, Mr. Landor, for then there would be no shaving. Why, think of it! if you've no beard, how can you swear?" "Ah, _Padrone_ can swear tolerably well without it, can he not, Giallo? he will have no difficulty on that score. Now I'll wager, were I a young man, you would ask me for a lock of my hair. See what it is to be old and gray." "Why, Mr. Landor, I've long wanted just that same, but have not dared to ask for it. May I cut off a few stray hairs?" I asked, going toward him with a pair of scissors. "Ah no," he replied, quizzically, "there can be but one 'Rape of the Lock!' Let me be my own barber." Taking the scissors, he cut off the longest curl of his snow-white beard, enclosed it in an envelope with a Greek superscription, and, presenting it, said, "One of these days, when I have gone to my long sleep, this bit of an old pagan may interest some very good Christians." * * * * * The following note is worthy to be transcribed, showing, as it does, the generosity of his nature at a time when he had nothing to give away but ideas.