The Atlantic Monthly, Volume 18, No. 107, September, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 18, No. 107, September, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
the scale, and from that blush alone deduce the human race, we are no
nearer the Divine intentions in the creation of man, for all such lore
as that. An author has somewhere asked, What signify our telegraphs, our
anaesthetics, our railways? What signifies our knowledge of the earth's
structure, of the stars' courses? Are we any the more or less men? But
certainly he is the more a man, he comes nearer to God's meaning in a
man, who conquers matter, circumstance, time, and space. That one who
sees the universe move round him understandingly, and fathoms in some
degree the wonder and the beauty of the eternal laws, must be a
pleasanter object to his Creator than any other who, merely employing
pleasure, makes a fetich of his luxuries, his Aldines and Elzevirs, and,
dying, goes into the unknown world no wiser concerning the ends and aims
of this one than when he entered it. Rather than periods that decay and
sin might bring again, should one remember the wonderful history of the
natural world when the Spirit of God moved upon the face of the waters.
Rather should one read the record of the rain, it seems,--the story of
the weather some morning, cycles since, with the way the wind was
blowing written in the slanting drip of the rain-drops caught and
petrified on the old red sandstone,--marks of the Maker as he passed,
one day, a million years ago,--than decipher on the scroll of any
palimpsest, under the light-headed visions of an anchorite, some
half-erased ode of Anacreon.
But, after all, this veneration for the ancients--who personally might
be forgiven for their misfortune in having lived when the world was
young, were not one so slavish before them--is only because again one
looks at the ideal,--looks through that magical Claude Lorraine glass
which makes even the commonest landscape picturesque. We forget the
dirty days of straw-strewn floors, and see the leather hangings stamped
with gold; we forget the fearful feet of sandal shoon, but see the dust
of a Triumph rising in clouds of glory. We look at that past, feeling
something like gods, too.
"The gods are happy:
They turn on all sides
Their shining eyes,
And see, below them,
The earth and men."
Public-domain text, read in full here on John Shaqi.
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