The Atlantic Monthly, Volume 18, No. 110, December, 1866: A Magazine of Literature, Science, Art, and PoliticsVarious
History
The Atlantic Monthly, Volume 18, No. 110, December, 1866: A Magazine of Literature, Science, Art, and Politics
Various
American periodicals
The mutations and ameliorations of Broadway are singularly rapid. It is
but a few years since the eye of the passenger therein often caught
sight of pleasant domestic nooks,--bulbs in bloom, a canary, gold-fish,
or a graceful head bent over a book or crochet-work, at the cheerful
window,--where now iron fronts and plate-glass of enormous size proclaim
the prosperous warehouse. One of those sudden and sweeping
conflagrations, which so frequently make a breach in the long line of
edifices, destroyed within a few months the tall white walls of the
American Museum, with its flaring effigies of giants, dwarfs, and
monsters, and its band of musicians in the balcony, so alluring to the
rustic visitor. The picturesque church of St. Thomas and the heavy
granite facade of the Stuyvesant Institute, the "Tabernacle," the
Art-Academy, and the Society Library buildings have given way to palaces
of trade, and been transferred to the indefinitely extensive region of
"up town." Stewart's lofty marble stores redeemed the character of the
east side, long neglected in favor of the more crowded and showy
opposite walk; and his example has been followed by so many other
enterprising capitalists, that the original difference, both of aspect
and prestige, has all but vanished.
Among the most noticeable of the later features are the prevalence of
flower-venders, and the increase of beggars; as well as the luxurious
attractiveness of the leading confectioners' establishments, which, in
true American eclectic style, combine the Parisian cafe with the London
pastry-cooks and the Continental restaurant,--delectable rendezvous of
women who lunch extravagantly. Another and more refined feature is the
increase of elegant Art stores, where Gerome's latest miracle of
Oriental delineation, a fresh landscape of Auchenbach, or a naive gem by
Frere, is freely exposed to the public eye, beside new and elaborate
engravings, and graphic war-groups of Rogers, or the latest crayon of
Darley, sunset of Church, or rock-study by Haseltine. These free
glimpses of modern Art are indicative of the growing taste for and
interest therein among us. Pictures were never such profitable and
precious merchandise here, and the fortunes of artists are different
from what they were in the days when Cole used to bring his new
landscape to town, deposit it in the house of a friend, and personally
call the attention thereto of the few who cared for such things, and
when the fashionable portrait-painter was the exclusive representative
of the guild in Gotham.
Public-domain text, read in full here on John Shaqi.
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